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- Essence of Daylight in the Cistercian Monastic Church of S. Bento de Cástris, Évora, PortugalPublication . Martins, Ana Maria Tavares; Carlos, Jorge S.Natural light in the Cistercian churches is closely linked not only with the liturgical requirements at the “officium” but also with the canonical hours based on the "ora et labora" dictated by the Rule of St. Benedict. The Cistercian architecture, in its beginnings (12th century forward) is characterized by austerity, simplicity and the play of light and shadow that gives value to the monastic architectural space itself, making it perfect for a contemplative experience. In the Cistercian Monastery the church is the central piece of the monastic building. Nave, transept and apse are the main architectural components to which is added the choir. This paper contextualizes the importance and close connections of natural light, within the Cistercian Monasteries architecture. Thus the essence of daylight is analyzed within the Church of the Monastery of S. Bento de Cástris, in Évora, Portugal. This former Monastery (13th - 19th centuries) includes the church, at the southeastern corner which has not only a high choir, but also a low lateral choir (within the presbytery). Its unchanged exterior walls are made of solid masonry. Although the function of the walls is primarily structural, the windows allow the daylight to penetrate the space of the church. The church has two external façades facing northeast and southeast. The combined orientation effect of the church’s main axis and the sun trajectory determines how the sunlight reaches the interior of this architectural structure. This study presents the qualitative and quantitative analysis of the luminous environment in the church of S. Bento de Cástris, being the first based on the authors’ perception of the effect of the daylight within the different areas of the enclosed space. The appreciation of the spatial experiences was supported by quantitative daylight simulations that were conducted in selected areas within the space. With this paper is intended to contribute to the debate about the specificity of daylight, in the context of Cistercian architecture.
- Built Heritage Research and History of Architecture: Light and Acoustic in the Cistercian Monastic Church of S. Bento de Cástris (Portugal)Publication . Martins, Ana Maria Tavares; Carlos, Jorge S.The research on the Cistercian legacy in Portugal is an innovative multidisciplinary study. Consequently, the results achieved in this research have many different approaches: the former monasteries and their architecture are the main subjects concerning morphology, architectonic rehabilitation but also acoustics, thermal comfort, or natural light. This research, carried out at the Department of Civil Engineering and Architecture of the University of Beira Interior (DECA-UBI), was developed in connection with two other research centres - Lab2PT (Landscape, Heritage and Territory Laboratory) and CIDEHUS (Interdisciplinary Centre for History, Culture and Societies). In 2015, the curriculum of the Integrated Master Degree in Architecture of the University of Beira Interior underwent revision. Consequently, it was needed to allocate more time to the teaching of History of Architecture and the requirement to assign specific syllabus to the Portuguese History of Architecture, which is emphasized by the specific and multidisciplinary research performed linking with other sciences of engineering. The natural light in the Cistercian churches is closely linked not only with the liturgical requirements at the officium but also with the canonical hours based on the "ora et labora" dictated by the Rule of St. Benedict. The Cistercian Monastery of São Bento de Cástris (13th-19th centuries), in Évora, Portugal, includes a church, at the south-eastern corner. This church presents an unusual space setting with two choirs which seems to favour different positions for coral groups supporting liturgical and musical expression activities within the research scope of a Research Project. As the light in the Cistercian Monasteries, mainly, in their churches, is mostly related to the fulfilment of liturgical needs, this paper analyses the relationship between daylight conditions within the monastic choirs located within the monastic church. The chant was a very important way of oration and thus of the liturgy. This was the ORFEUS Project – “The Tridentine Reform and music in the cloistral silence: The Monastery of S. Bento de Cástris” which was based on a multidisciplinary approach around the Tridentine Reform with reflexes in the musical Cistercian feminine matrix between the 16th and 18th centuries on Cistercian Monasteries. This paper describes the objectives and methodology applied to the case study thus linking Built Heritage Research and History of Architecture, i.e., Research and Education.