| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 3.01 MB | Adobe PDF | |||
| 476.64 KB | Adobe PDF | |||
| 1010.09 KB | Adobe PDF | |||
| 12.2 MB | Adobe PDF | |||
| 769.58 KB | Adobe PDF |
Authors
Abstract(s)
A luz natural sempre desempenhou um papel central na história da Arquitetura. A luz do sol segue o ciclo do dia e caracteriza-se por uma constante variação. Varia com o dia, estado do tempo, bem como com as estações do ano.
Já na Arquitetura da época do Romantismo, do Gótico e do Barroco, os edifícios eram desenhados com a perspetiva de serem capazes de controlar e manipular a qualidade da luz natural, para, assim, realçar as formas do espaço interior e alcançar o ambiente desejado. O tipo de abertura, o tamanho, a localização e orientação das janelas e cúpulas, tal como a geometria e a dimensão dos interiores, são características que marcam estas épocas. O material através do qual a luz passa, a textura e a coloração das superfícies com a qual entra em contacto, são também pontos importantes a considerar.
A luz determina a nossa perceção da arquitetura, permite-nos apreciar as diversas qualidades do espaço: a forma, a textura, a cor, entre outras. É talvez o elemento com maior influência na atmosfera do espaço.
A correta utilização da iluminação intensifica o impacto emocional e poético do projeto. Assim, pode referir-se que a luz não é algo vago e irrelevante, pois encontra-se sempre presente na Arquitetura, podendo considerar-se que é o recurso mais rico e luxuoso utilizado pelos arquitetos.
Esta dissertação, tem como propósito aprofundar a discussão do papel da luz enquanto matéria essencial na arquitetura, pois mais que do que um elemento integrante, é um elemento estruturador da imagem arquitetónica. Deste modo, o estudo do tema tem como objetivo a investigação e ampliação das possibilidades de utilização e aplicação da iluminação natural e artificial na atividade de projeto de arquitetura contemporâneo.
Com o resultado da investigação realizada e, tendo como base a temática da presente dissertação, apresenta-se um complemento, através de uma proposta / modelo, que resulta na elaboração de um marco de luz para cidade de Guimarães, denominado de “Farol Cultural”.
Natural light has always been of great importance in Architecture's history. The sun's light follows the light cycle and changes constantly. Changes with time, weather and seasons. Even in Romanticism, Gothic and Baroque's Architecture, the buildings were developed with the purpose of controlling and shaping the natural light's quality, so that it could emphasize the interior's shapes and achieve the desired ambience. The opening's shape, size, placing and orientation of windows and domes, as well as geometry and the interior's measurements, are all features that define these periods. The material through which light goes across, the texture and color of the surface it touches, are important factor to enter into consideration. Light shapes our perception of architecture, allows us to see different qualities in a room: Shape, texture, color, among other things. It's most likely the element of higher influence on the reading of the surrounding space. The right light usage intensifies the poetic and emotional impact on a project. This way, we can say that light is not something undetermined, as it can always be found in Architecture, we can even consider it and the most precious and luxurious resource used by the architect. In conclusion, this dissertation has looks to research further the light's role as an essential material in Architecture, which, more than a blending material, it's a cornerstone in Architecture. This subject's study has the objective of investigation and amplification in the utilization and application of the natural and artificial illumination in the contemporary architecture execution. With the outcome of the investigation realized and, based on the dissertation's theme, an complement is presented, through the concretization of an architecture project, that results in the creation of an landmark of light for Guimarães city, called "Farol Cultural".
Natural light has always been of great importance in Architecture's history. The sun's light follows the light cycle and changes constantly. Changes with time, weather and seasons. Even in Romanticism, Gothic and Baroque's Architecture, the buildings were developed with the purpose of controlling and shaping the natural light's quality, so that it could emphasize the interior's shapes and achieve the desired ambience. The opening's shape, size, placing and orientation of windows and domes, as well as geometry and the interior's measurements, are all features that define these periods. The material through which light goes across, the texture and color of the surface it touches, are important factor to enter into consideration. Light shapes our perception of architecture, allows us to see different qualities in a room: Shape, texture, color, among other things. It's most likely the element of higher influence on the reading of the surrounding space. The right light usage intensifies the poetic and emotional impact on a project. This way, we can say that light is not something undetermined, as it can always be found in Architecture, we can even consider it and the most precious and luxurious resource used by the architect. In conclusion, this dissertation has looks to research further the light's role as an essential material in Architecture, which, more than a blending material, it's a cornerstone in Architecture. This subject's study has the objective of investigation and amplification in the utilization and application of the natural and artificial illumination in the contemporary architecture execution. With the outcome of the investigation realized and, based on the dissertation's theme, an complement is presented, through the concretization of an architecture project, that results in the creation of an landmark of light for Guimarães city, called "Farol Cultural".
Description
Keywords
Ferramenta projectual Iluminação natural Iluminação artificial