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Abstract(s)
A arquitectura barroca portuguesa apresenta uma especificidade em relação à congénere europeia. Assim uma metodologia de abordagem do barroco português terá que contemplar problemáticas diversas. Deste modo, deve considerar-se na realização arquitectónica específicas interpretações, desde a aplicação de sistemas decorativos, como a pintura, a escultura, a talha e o azulejo, no interior de edifícios existentes, ou mesmo em edifícios de raíz, a utilização de cenários arquitectónicos no exterior, particularmente nas fachadas principais, até uma expressão mais erudita, materializada em esquemas geométricos complexos e tensos, normalmente próximos das plantas centralizadas.
The Portuguese baroque architecture has various idiosyncratic aspects when compared with these architectural period in other European counlries. Therefore, the methodological approach required is naturally different. Hence, when one considers a piece of architecture one should have specific interpretations, from de decoration systems, such as painting, sculpture, wood carve and the tiles inside the building, or even in new buildings, the use of external architectonic scenarios, particularly in the main façade, to a more erudite expression, materialize in complex and tense geometric schemes, usually dose to the centralized plants.
The Portuguese baroque architecture has various idiosyncratic aspects when compared with these architectural period in other European counlries. Therefore, the methodological approach required is naturally different. Hence, when one considers a piece of architecture one should have specific interpretations, from de decoration systems, such as painting, sculpture, wood carve and the tiles inside the building, or even in new buildings, the use of external architectonic scenarios, particularly in the main façade, to a more erudite expression, materialize in complex and tense geometric schemes, usually dose to the centralized plants.