| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 5.06 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
O olhar sobre o paralelismo Cinema-Arquitectura, considera-se um ponto fulcral no entendimento da evolução dos meios de comunicação das sociedades contemporâneas, e isso é relevante pelo facto de haver hoje uma inveterada globalização na cultura das mesmas, que surge destacadamente com a era digital. O surgimento do Cinema foi um dos marcos históricos mais importantes no desenvolvimento destes meios de comunicação e um esplendoroso e destacado meio no progresso da propagação de ideologias políticas e socioculturais. A Arquitectura sendo sem dúvida uma das artes mais importantes na responsabilidade da criação dos espaços, da sua organização e na complementação da cultura dos indivíduos, viu-se importunada pela sétima arte, tanto que se rendeu e cedeu os seus mecanismos para que esta os explorasse ainda quando tinha pouca autonomia.
Pela mútua exploração que ambas as artes sofreram, por si conscientes, o documento procura na complexidade da interligação de conceitos, de olhares sobre o mundo, de criação e crítica das suas obras, expor um pouco da importância que a ficção, como dado adquirido desde que os seres humanos nascem, tem, perante um mundo coeso a uma evolução exponencial.
A exploração do campo da realidade virtual, que muitas vezes, é desacreditado por ser dado simplesmente como a indagação no irreal, sem qualquer fundamento em relação às exigências da vida do Homem, mas que a verdade é que aos poucos deixa, discretamente, o seu território meramente superficial nas actividades quotidianas do mesmo, e enraíza-se nas bases da sobrevivência da nossa espécie.
As problemáticas implicadas pelo cruzamento do espaço virtual com o espaço real, tem provocado no último século, uma metamorfose no comportamento do Homem, através da capacidade mais eficaz que certos mecanismos têm de saciar a procura do seu imaginário.
Se a ficção não passa de uma mera irrealidade, o certo é que o Homem, vaidoso de si como ser racional, acredita e procura insistentemente encontrar nela, o fundamento essencial para a sua felicidade, o seu preenchimento interior, atribuindo-lhe o valor da razão da sua existência.
The look on Cinema-Architecture parallelism is considered a key point in the understanding of the evolution of the media in contemporary societies, and this is relevant by the fact that there is now an inveterate culture of globalization in the same, which appears outstandingly with the digital age. The emergence of Cinema was one of the most important historical marks in the development of these means of communication and a splendid and highlighted path to the progress of spreading political and sociocultural ideologies. The architecture being no doubt one of the most important arts on the responsibility of creating spaces, their organization and in the complementing culture of individuals, was harassed by the seventh art, so much which surrendered and gave their mechanisms to her exploit even when she had still little autonomy. By the mutual exploitation that both arts have suffered ,themselves aware , the document searches in the complexity of interconnected concepts, of looks upon the world, creation and criticism of his works, expose a little of the relevance that fiction, as a acquired truth since that human beings are born, has, facing a world cohesive to an exponential evolution. The exploration of the field of virtual reality, which is often discredited for being given simply as the question in the unreal, without any foundation in respect to the requirements of human life, but the truth is that gradually ceases, unnoticed, its territory merely superficial in the daily activities of the same, and roots in the foundations of the survival of our species. The issues implicated by the intersection of the virtual space with real space, has caused in the last century, a metamorphosis in the behavior of man, through the capacity more effective that certain mechanisms have to satisfy the demand of its imagery. If fiction is nothing but a mere unreality, the truth is that the Man, vain of himself as a rational being, believes and seeks insistently in finding on it, the essential foundation for his happiness, his inner fulfillment, giving it the value of reason for its existence.
The look on Cinema-Architecture parallelism is considered a key point in the understanding of the evolution of the media in contemporary societies, and this is relevant by the fact that there is now an inveterate culture of globalization in the same, which appears outstandingly with the digital age. The emergence of Cinema was one of the most important historical marks in the development of these means of communication and a splendid and highlighted path to the progress of spreading political and sociocultural ideologies. The architecture being no doubt one of the most important arts on the responsibility of creating spaces, their organization and in the complementing culture of individuals, was harassed by the seventh art, so much which surrendered and gave their mechanisms to her exploit even when she had still little autonomy. By the mutual exploitation that both arts have suffered ,themselves aware , the document searches in the complexity of interconnected concepts, of looks upon the world, creation and criticism of his works, expose a little of the relevance that fiction, as a acquired truth since that human beings are born, has, facing a world cohesive to an exponential evolution. The exploration of the field of virtual reality, which is often discredited for being given simply as the question in the unreal, without any foundation in respect to the requirements of human life, but the truth is that gradually ceases, unnoticed, its territory merely superficial in the daily activities of the same, and roots in the foundations of the survival of our species. The issues implicated by the intersection of the virtual space with real space, has caused in the last century, a metamorphosis in the behavior of man, through the capacity more effective that certain mechanisms have to satisfy the demand of its imagery. If fiction is nothing but a mere unreality, the truth is that the Man, vain of himself as a rational being, believes and seeks insistently in finding on it, the essential foundation for his happiness, his inner fulfillment, giving it the value of reason for its existence.
Description
Keywords
Arquitectura Cinema Espaço Real Espaço Virtual Ficção