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Resumo(s)
As reflexões filosóficas estabelecem conceitos e teorias sobre a sociedade e a suas mudanças e desde a antiguidade que a arquitetura, de modo a responder as necessidades da sociedade, faz alusão a conceitos filosóficos que materializam os seus projetos.
O presente trabalho apresenta como ponto de partida o desejo de estudar o pensamento do filósofo francês Jacques Derrida sobre a desconstrução. O pensamento da desconstrução tem como fundamento principal purificar o modernismo e redescobrir novos valores através da oposição de conceitos.
A oposição de conceitos conduz ao questionamento o inspira um grupo de arquitetos a exporem os seus projetos, no Museu de Arte Moderna de Nova York, no ano de 1988. Este grupo de arquitetos parte de premissas de oposição desconstrutivista apresentando novos limites da arquitetura com recurso à experimentação constante de novos conceitos espaciais, à criação de novas formas e novas sensações. O uso de novos materiais permite criar dobras, ângulos e linhas cortantes que procuram uma nova linguagem.
Contudo, o emprego do pensamento filosófico na exposição não correspondeu completmante ao conceito de desconstrutivismo desenvolvido por Derrida. Outros arquitetos aplicaram este conceito nas suas obras, como é o caso do arquiteto Peter Eisenmen que trabalhou em colaboração direta com Derrida.
Após uma compreensão histórico e concetual do desconstrutivismo procede-se à idealização de um caso prático que consistiu na realização de um projeto de uma biblioteca, localizada na Covilhã, obedecendo aos pressupostos do concurso VIII Bienal Miguel Aroztegui – Concurso estudantil Ibero-americano de Arquitetura Bioclimática, da Universidade de Brasília.
The philosofical reflections establish concepts and theories about society and its changes and since the antiguity that architecture, in order to respond to the necessities of society, makes allusion to philosophical concepts which materialize its projects. This work presents as a starting point the will of studying the thought of the french philosopher Jaques Derrida about the deconstruction. The thought of deconstruction has its main basis on purifying the modernism and rediscover new values through the opposition of concepts. The opposition of concepts drives to the questioning, which inspire a group of architects in exposing their projects, in the Museum of Modern Art of New York, in 1988. This group of architects starts on premises of deconstructive opposition presenting new bounds of the architecture using the constant experimentation of new spatial concepts, to the creation of new forms and new sensations. The use of new materials enables the creation of folds, trenchant angles and lines looking for a new language. However, the use of the philosophic thought exposed didn’t corespond copletely to the deconstructive concept by Derrida. Other architects applied this concept in their works, such as the architect Peter Eisenmen who worked as a direct colaborator with Derrida. After an historical and conceptual comprehension it proceeds to the idealization of a practical case that consisted on performing a project of a library, located in the city of Covilhã, ebeying the prerequisits of the VIII Biennial Miguel Aroztegui – Ibero-American Student Contest of Bioclimatic Arquitecture, University of Brasília.
The philosofical reflections establish concepts and theories about society and its changes and since the antiguity that architecture, in order to respond to the necessities of society, makes allusion to philosophical concepts which materialize its projects. This work presents as a starting point the will of studying the thought of the french philosopher Jaques Derrida about the deconstruction. The thought of deconstruction has its main basis on purifying the modernism and rediscover new values through the opposition of concepts. The opposition of concepts drives to the questioning, which inspire a group of architects in exposing their projects, in the Museum of Modern Art of New York, in 1988. This group of architects starts on premises of deconstructive opposition presenting new bounds of the architecture using the constant experimentation of new spatial concepts, to the creation of new forms and new sensations. The use of new materials enables the creation of folds, trenchant angles and lines looking for a new language. However, the use of the philosophic thought exposed didn’t corespond copletely to the deconstructive concept by Derrida. Other architects applied this concept in their works, such as the architect Peter Eisenmen who worked as a direct colaborator with Derrida. After an historical and conceptual comprehension it proceeds to the idealization of a practical case that consisted on performing a project of a library, located in the city of Covilhã, ebeying the prerequisits of the VIII Biennial Miguel Aroztegui – Ibero-American Student Contest of Bioclimatic Arquitecture, University of Brasília.
Descrição
Palavras-chave
Arquitectura desconstrutivista Arquitectura bioclimática Projecto de biblioteca
Contexto Educativo
Citação
Editora
Universidade da Beira Interior