Publication
Architecture and Music
| dc.contributor.author | Gomes, Silvia | |
| dc.contributor.author | Tender, Luísa | |
| dc.contributor.author | Martins, Ana Maria Tavares | |
| dc.date.accessioned | 2020-01-28T09:28:24Z | |
| dc.date.available | 2020-01-28T09:28:24Z | |
| dc.date.issued | 2017 | |
| dc.description.abstract | The connections between architecture and music are a fascinating subject that has interested researchers since early times. Architectural thought seems to influence or in some way be implied in different musical activities. For example, architects have acoustic concerns when they create spaces for music performance. On the other hand, architectural notions and creativity are present in musical components like melody, harmony and rhythm. This essay is a reflexion on the mutual and close interaction between architecture and music. We present a brief perspective on notions related to this subject, which supports the first author’s ongoing activity as an architect of spaces for music. We also refer to the particular historic case of Iannis Xenakis, in whose work the connections between the two fields are evident. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | GOMES, Silvia, TENDER, Luisa, MARTINS, Ana M. T.; Architecture and Music: General literature-based considerations with reference to particular cases of mutual influence between the two arts in “Proceedings ICNMC 2017, 4th International Conference on New Music Concepts (16-17 March 2017)”; ABEditore; Milan 2017; pp. 67-71 (ISBN: 978-886-5512-44-9) | pt_PT |
| dc.identifier.isbn | 978-886-5512-44-9 | |
| dc.identifier.uri | http://hdl.handle.net/10400.6/8802 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | ABEditore | pt_PT |
| dc.subject | Architecture | pt_PT |
| dc.subject | Music | pt_PT |
| dc.subject | Xenakis | pt_PT |
| dc.title | Architecture and Music | pt_PT |
| dc.title.alternative | General literature-based considerations with reference to particular cases of mutual influence between the two arts | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Milan | pt_PT |
| oaire.citation.endPage | 71 | pt_PT |
| oaire.citation.startPage | 67 | pt_PT |
| oaire.citation.title | Proceedings ICNMC 2017, 4th International Conference on New Music Concepts | pt_PT |
| person.familyName | Martins | |
| person.givenName | Ana Maria Tavares Ferreira | |
| person.identifier | E-2497-2012 | |
| person.identifier.ciencia-id | 2718-E82B-9E26 | |
| person.identifier.orcid | 0000-0002-2591-0137 | |
| person.identifier.scopus-author-id | 55915357500 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | 2e7990dc-8792-471a-926a-e5647b8a085a | |
| relation.isAuthorOfPublication.latestForDiscovery | 2e7990dc-8792-471a-926a-e5647b8a085a |
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