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Authors
Abstract(s)
A arquitetura apresenta-se como a disciplina mais ampla e completa das artes. Contudo, esta só fica completa se interligada com as demais artes subjacentes, dos inúmeros espectros existentes. É neste sentido que propomos uma análise e uma reflexão sobre a ligação entre a arquitetura e outras artes, dando principal foco à arquitetura efémera ligada às artes performativas, mais concretamente a cenografia.
A cenografia tem vindo a ganhar maior relevo num contexto contemporâneo, ainda que de forma um pouco tímida mas com uma presença que se faz notar. Artes como o teatro sempre tiveram forte ligação com a cenografia, contudo, a enorme revolução tecnológica e evolução constante na sociedade leva-nos a uma maior abertura de mentalidades, onde a cultura tem grande peso e as várias disciplinas artísticas tornam-se mutáveis entre elas. Desta forma abrem-se portas à cenografia, como expositor do mundo que vemos ou imaginamos e interagindo com inúmeras áreas, deixando assim de estar somente ligada às artes performativas do teatro como é por norma associada. Para perceber a cenografia contemporânea, é necessário conhecer a sua origem e evolução até aos nossos dias. A cenografia enquanto ramo da arquitetura tem ainda grande impacto noutras artes, como por exemplo o cinema. É portanto óbvio, entender as ligações entre arquitetura e cenografia e quais são as outras artes em que a cenografia tem um papel preponderante e de que forma é feita essa ligação. É importante analisar e perceber o impacto entre as disciplinas, em que medida são semelhantes e o que as distingue.
Por último, a proposta apresenta uma componente prática onde se desenvolve o projeto de um cenário a partir do filme The Grand Budapest Hotel (2014) que irá traduzir os conhecimentos adquiridos durante a fase de investigação da dissertação.
The architecture presents itself as the most embracing and complete discipline of all arts. However, this is only complete if interconnected with other underlying arts, in the many existing spectrums. This is why we propose an analysis and reflection on the connection between architecture and other arts, giving primary focus to ephemeral architecture linked to the performing arts, specifically the scenography. The scenography has gained greater importance in a contemporary context, although in a shy way but with a presence that gets noticed. Arts like theater always had a strong connection with the scenography, however, the enormous technological revolution and constant evolution in society leads us to greater opening into thinking, where culture has great weight and the various artistic disciplines become mutable between them. Thus open up doors to scenography, as an exhibitor of the world we see or imagine and interacting with numerous areas, leaving only to be connected to the performing arts theater as is normally associated. To understand the contemporary scenography, it’s necessary to know its origin and evolution to the present day. The scenography as an arm of architecture industry has great impact on other arts, such as cinema. It is therefore obvious, to understand the links between architecture and scenography and what are the other arts in the scenography has a leading role and how is made that connection. It is important to analyze and understand the impact between disciplines, to what extent are similar and what distinguishes them. Finally, the proposal has a practical component which is developing the project of a scene from the film The Grand Budapest Hotel (2014) that will translate the knowledge acquired during the investigation of the dissertation.
The architecture presents itself as the most embracing and complete discipline of all arts. However, this is only complete if interconnected with other underlying arts, in the many existing spectrums. This is why we propose an analysis and reflection on the connection between architecture and other arts, giving primary focus to ephemeral architecture linked to the performing arts, specifically the scenography. The scenography has gained greater importance in a contemporary context, although in a shy way but with a presence that gets noticed. Arts like theater always had a strong connection with the scenography, however, the enormous technological revolution and constant evolution in society leads us to greater opening into thinking, where culture has great weight and the various artistic disciplines become mutable between them. Thus open up doors to scenography, as an exhibitor of the world we see or imagine and interacting with numerous areas, leaving only to be connected to the performing arts theater as is normally associated. To understand the contemporary scenography, it’s necessary to know its origin and evolution to the present day. The scenography as an arm of architecture industry has great impact on other arts, such as cinema. It is therefore obvious, to understand the links between architecture and scenography and what are the other arts in the scenography has a leading role and how is made that connection. It is important to analyze and understand the impact between disciplines, to what extent are similar and what distinguishes them. Finally, the proposal has a practical component which is developing the project of a scene from the film The Grand Budapest Hotel (2014) that will translate the knowledge acquired during the investigation of the dissertation.
Description
Keywords
Arquitetura Efémera Cenografia Espaço Interpretação Sensação The Grand Budapest Hotel