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A (in)sustentabilidade das arquiteturas efémeras em festivais de música: Os impactos em ecossistemas periféricos
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Resumo(s)
Ao longo da história, é inegável a importância e predominância da arquitetura efémera
para a realização de eventos, sobretudo na organização e preparação cenográfica de
festivais de música. Geralmente, a implementação destas estruturas em festivais
localizados em ecossistemas periféricos é acompanhada pelo termo "eco-friendly" ou
"sustentável", como forma de reduzir o impacto ambiental e a estratégia de marketing.
No entanto, com a crescente popularidade destes eventos, cria-se um paradoxo entre o
discurso da sustentabilidade e os impactos reais no ambiente e nas comunidades locais,
e que ações são tomadas para os mitigar. Assim, esta dissertação tem como ponto
principal a (in)sustentabilidade das arquiteturas efémeras, aplicadas nestes espaços,
centrando-se nas práticas da cenografia.
Do ponto de vista global, pretende-se analisar diferentes casos de estruturas efémeras
em festivais de música definidos como sustentáveis, e os seus verdadeiros impactos nos
ecossistemas onde são construídas. Serão apresentadas diferentes perspetivas, tais
como a gestão de resíduos, as materialidades, a degradação dos solos, o consumo de
recursos e o impacto socioeconómico, para finalmente apresentar um método de
avaliação e mensuração dos seus efeitos diretos e indiretos em suas configurações.
Throughout history, the importance and predominance of ephemeral architecture for events, especially in the organization and scenographic preparation of music festivals, is undeniable. Generally, the implementation of these structures at festivals located in peripheral ecosystems is accompanied by the terms “eco-friendly” or “sustainable,” as a way to reduce environmental impact and as a marketing strategy. However, with the growing popularity of these events, a paradox arises between the discourse of sustainability and the real impacts on the environment and local communities, and what actions are taken to mitigate them. Thus, this dissertation focuses on the (un)sustainability of ephemeral architecture applied in these spaces, with a focus on scenography practices. From a global perspective, the aim is to analyze different cases of temporary structures at music festivals defined as sustainable, and their true impact on the ecosystems where they are built. Different perspectives will be presented, such as waste management, materialities, soil degradation, resource consumption, and socioeconomic impact, to finally present a method for assessing and measuring their direct and indirect effects in their configurations.
Throughout history, the importance and predominance of ephemeral architecture for events, especially in the organization and scenographic preparation of music festivals, is undeniable. Generally, the implementation of these structures at festivals located in peripheral ecosystems is accompanied by the terms “eco-friendly” or “sustainable,” as a way to reduce environmental impact and as a marketing strategy. However, with the growing popularity of these events, a paradox arises between the discourse of sustainability and the real impacts on the environment and local communities, and what actions are taken to mitigate them. Thus, this dissertation focuses on the (un)sustainability of ephemeral architecture applied in these spaces, with a focus on scenography practices. From a global perspective, the aim is to analyze different cases of temporary structures at music festivals defined as sustainable, and their true impact on the ecosystems where they are built. Different perspectives will be presented, such as waste management, materialities, soil degradation, resource consumption, and socioeconomic impact, to finally present a method for assessing and measuring their direct and indirect effects in their configurations.
Descrição
Palavras-chave
Arquitetura Efémera Cenografia Festivais Sustentabilidade