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Advisor(s)
Abstract(s)
As pessoas procuram uma forma de prazer no vestuário sendo muitas vezes
influenciadas por outros, o que faz com que não alcancem algo com que se
identifiquem. Para isto ser percetível todo o contexto histórico relacionado com a moda
precisa de ser analisado e posteriormente relacionar a moda com o conceito retratado,
o visagismo. Pois é neste contexto histórico que analisamos influencias e estatutos
muito marcantes das épocas, uma forma de afirmação perante a sociedade que resulta
muitas das vezes em aspetos positivos e negativos. O vestuário assume uma função, é a
partir dele que alguém se mostra como realmente quer, ou não, muitas vezes a
mensagem que passamos nem sempre é a mensagem recebida. A imagem que temos
influência aquilo que as outras pessoas pensam de nós, de modo que, para
transmitirmos a imagem que desejamos utilizamos o vestuário como um instrumento e
a moda como movimento que reflete signos.
As roupas tornam-se assim uma forma de comunicação que não é verbal, porque o
individuo passa-se a vestir para os outros e não para si. As pessoas passam por vários
momentos de fragilidade que muitas vezes afetam a sua auto estima. A moda dita
padrões que nem sempre são a melhor opção para resolver a falta de auto estima. É na
identidade que as pessoas associam a personalidade, uma auto imagem que pode ser
real ou a ideal, e são muitos os casos em que a pessoa seleciona diferentes produtos, a
nível do vestuário, para diferentes ocasiões na tentativa de alcançar o caminho para a
atitude e para o comportamento pretendido com a finalidade de atingir a posição social
pretendida.
Pretende-se com este trabalho evidenciar a relação do visagismo com a moda, com base
no livro Phillip Hallawell – Visagismo integrado, identidade, estilo e beleza e em toda a
pesquisa realizada. O modo como esta ferramenta vai influenciar a nossa perceção da
moda e do vestuário, ajuda as pessoas a afirmarem o seu eu interior e exterior, e qual o
impacto que tem no sistema tradicional da moda, são as questões a explorar ao longo
desta investigação.
People look for a form of pleasure in clothing, being often influenced by others who do not achieve something with which they indicate. For this to be perceptible, the entire historical context with fashion needs to be studied and later relate fashion to the concept portrayed, visagism. Because it is in this historical context that we influence and the very influential statutes, a form of remarkable analysis of the issues facing society that often results in positive and original aspects. The device assumes a function, from which it shows itself as it really wants, often the message that there is no identification or sending is often the remittance. The image that influences what other people think of us, so that, for us, the image we want to use clothing as an instrument and a fashion that reflects signs. Clothes thus become a form of communication that is not verbal, because the individual starts to dress for others and not for himself. People go through several moments of often their automatic estimation. Fashion dictates patterns that are not always the best option to solve the lack of automatic estimation. It is in identity that people associate a personality, a self-image that can be real or an ideal, and there are many cases in which a person selects different products, level of clothing, for different opportunities in an attempt to reach the path to attitude. and for intended behavior for the purpose of attaining an intended social position. The aim of this work is to highlight the relationship between visagism and fashion, based on the book Phillip Hallawell – Integrated Visagism, identity, style and beauty and on all the research carried out. How this tool will influence our analysis of the fashion perception system and equipment, helps people assert their inner and outer impact, and what impact it has on traditional fashion, are questions to be explored throughout this.
People look for a form of pleasure in clothing, being often influenced by others who do not achieve something with which they indicate. For this to be perceptible, the entire historical context with fashion needs to be studied and later relate fashion to the concept portrayed, visagism. Because it is in this historical context that we influence and the very influential statutes, a form of remarkable analysis of the issues facing society that often results in positive and original aspects. The device assumes a function, from which it shows itself as it really wants, often the message that there is no identification or sending is often the remittance. The image that influences what other people think of us, so that, for us, the image we want to use clothing as an instrument and a fashion that reflects signs. Clothes thus become a form of communication that is not verbal, because the individual starts to dress for others and not for himself. People go through several moments of often their automatic estimation. Fashion dictates patterns that are not always the best option to solve the lack of automatic estimation. It is in identity that people associate a personality, a self-image that can be real or an ideal, and there are many cases in which a person selects different products, level of clothing, for different opportunities in an attempt to reach the path to attitude. and for intended behavior for the purpose of attaining an intended social position. The aim of this work is to highlight the relationship between visagism and fashion, based on the book Phillip Hallawell – Integrated Visagism, identity, style and beauty and on all the research carried out. How this tool will influence our analysis of the fashion perception system and equipment, helps people assert their inner and outer impact, and what impact it has on traditional fashion, are questions to be explored throughout this.
Description
Keywords
Beleza Estilo Identidade Individualidade Moda Personalidade Visagismo