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Authors
Advisor(s)
Abstract(s)
A Arquitetura e a Música são artes distintas, consideradas opostas por muitos,
no entanto, encontram-se em vários campos. Ambas constam num processo criativo,
de teste e correção. Esta investigação consiste em compreender como a música pode
servir como um tipo de catalisador na composição arquitetónica. Para isso, serão
observados casos de estudos, e, consequentemente, conceitos comuns na arquitetura
e na música. É importante perceber como conceitos iguais se encontram e convergem
quando aplicados nas diferentes artes. Esses temas serão abordados com o apoio de
artigos, livros, dissertação, entrevistas e experiências. O desenvolvimento da
dissertação narra o percurso realizado, bem como as suas influências, que levam ao
capítulo final, o desenvolvimento de um projeto arquitetónico abstrato, uma simbiose
entre arquitetura e música.
Inicialmente, após a introdução, serão analisados casos de estudo, como
projetos ou teorias, que levantam questões pertinentes neste âmbito e fortalecem a
união das duas artes. São abordados os arquitetos: Iannis Xenakis, Bernard Tschimi,
Daniel Libeskind e Steven Holl. As perspetivas dos diferentes arquitetos influenciaram
a conceção do projeto experimental.
De seguida, no segundo capítulo, são apresentados conceitos comuns à
arquitetura e música presentes nos casos de estudo analisados, como a Proporção, a
Escala, o Ritmo, e a Emoção. A analise tem especial destaque nas semelhanças e
diferenças quando aplicados nas diferentes artes. Estes princípios serão apoiados e
argumentados por meio de artigos, livros experiências e entrevistas, respetivamente à
arquiteta Luísa Bebiano.
Por último será aprofundado o projeto de Arquitetura abstrata “Meolody
Gallery” e a exposição para ele desenhada inspirada na música “Introvert Exposition”
de Michael Kobrin com participação no concurso “Aural Architecture Design 2023”.
Desta forma, a investigação tem como objetivo perceber a influencia recíproca
entre a conceção arquitetónica e a música, observando as interseções conceptuais,
reconhecendo os seus pontos de encontro e divergência.
Architecture and Music, often perceived as divergent arts, converge in diverse dimensions, sharing a dynamic creative process grounded in experimentation and refinement. This research delves into unraveling how music acts as a catalyst in architectural composition, delving into case studies and common conceptual frameworks. The alignment of analogous principles within these distinct artistic realms will be scrutinized through extensive resources, encompassing articles, books, dissertations, interviews, and hands-on experiences. The dissertation unfolds a narrative, tracing influences that culminate in the development of an abstract architectural project—a fusion of architecture and music. Following the introduction, the analysis navigates through case studies—be it projects or theories—raising pertinent questions and fortifying the synergy between both art forms. Architects such as Iannis Xenakis, Bernard Tschimi, Daniel Libeskind, and Steven Holl are scrutinized, their perspectives intricately shaping the conception of the experimental project. Subsequently, the second chapter elucidates shared concepts in architecture and music drawn from the analyzed case studies—Proportion, Scale, Rhythm, and Emotion. The scrutiny underscores the subtleties of their application, emphasizing both similarities and distinctions when transposed into different artistic expressions. These foundational principles find validation through a comprehensive exploration of articles, books, experiences, and interviews, with notable insights from architect Luísa Bebiano. The exploration concludes with an in-depth investigation into the "Melody Gallery" and its exhibition project—an abstract architectural endeavor inspired by Michael Kobrin's "The Introvert" music, subsequently submitted to the Aural Architecture Design 2023 competition. Ultimately, this research endeavors to unveil the reciprocal influence between architectural design and music, deciphering conceptual intersections while acknowledging points of convergence and divergence.
Architecture and Music, often perceived as divergent arts, converge in diverse dimensions, sharing a dynamic creative process grounded in experimentation and refinement. This research delves into unraveling how music acts as a catalyst in architectural composition, delving into case studies and common conceptual frameworks. The alignment of analogous principles within these distinct artistic realms will be scrutinized through extensive resources, encompassing articles, books, dissertations, interviews, and hands-on experiences. The dissertation unfolds a narrative, tracing influences that culminate in the development of an abstract architectural project—a fusion of architecture and music. Following the introduction, the analysis navigates through case studies—be it projects or theories—raising pertinent questions and fortifying the synergy between both art forms. Architects such as Iannis Xenakis, Bernard Tschimi, Daniel Libeskind, and Steven Holl are scrutinized, their perspectives intricately shaping the conception of the experimental project. Subsequently, the second chapter elucidates shared concepts in architecture and music drawn from the analyzed case studies—Proportion, Scale, Rhythm, and Emotion. The scrutiny underscores the subtleties of their application, emphasizing both similarities and distinctions when transposed into different artistic expressions. These foundational principles find validation through a comprehensive exploration of articles, books, experiences, and interviews, with notable insights from architect Luísa Bebiano. The exploration concludes with an in-depth investigation into the "Melody Gallery" and its exhibition project—an abstract architectural endeavor inspired by Michael Kobrin's "The Introvert" music, subsequently submitted to the Aural Architecture Design 2023 competition. Ultimately, this research endeavors to unveil the reciprocal influence between architectural design and music, deciphering conceptual intersections while acknowledging points of convergence and divergence.
Description
Keywords
Arquitetura Arte Composição Espaço/Tempo Música Tangencias