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Authors
Advisor(s)
Abstract(s)
A problemática do lugar sempre levantou diversas questões e, quando a mesma é analisada,
sob o ponto de vista do contexto em contacto direto com o mar, inevitavelmente, novas
questões são geradas. A Arquitetura da Natureza – entenda-se, o enquadramento na paisagem,
a importância do lugar e os elementos presentes –, acaba por sugerir um confronto com a
Arquitetura do Homem, muitas vezes limitando-a, ou regrando-a. Nesta demanda, o estudo aqui
apresentado pretende explorar estratégias de projeto como resposta ao exercício de projetar
sobre a natureza, de forma que o resultado final seja fruto de uma ligação consonante, através
de origens díspares. Como é que o elemento água pode ser considerado matéria na Arquitetura?
Como é que a tipologia em análise pode retirar partido de todas as especificidades do lugar,
não comprometendo a essência do mesmo?
A presença do elemento água na Arquitetura merece especial atenção pelas potencialidades
que pode conferir ao espaço arquitetónico. A água possibilita à Arquitetura múltiplas valências:
regeneração, imersão, representação simbólica, dissolução, decomposição e multiplicação de
formas e reflexão de sons e luzes. Pode tornar-se num símbolo de vida, cuja presença deixa de
definir apenas o corpo humano como base da sua constituição, da terra, dos animais e das
plantas, e torna-se, assim, também ela indispensável à vida arquitetónica. A água é matéria
multiforme, é refletora - de vidas, de momentos, de paisagens -, que se faz ouvir nas mais
diversas escalas, que tem temperatura, que se torna infinita na multiplicidade de sensações
que pode criar.
O exercício de conjugar elementos com características destoantes, como a organicidade das
rochas e a geometria que a Arquitetura apresenta; Tirar partido da geografia local, de modo a
criar sensações únicas a cada passo dado pelo utilizador; Esculpir a linha costeira sem retirar a
autenticidade do local, transmitindo uma sensação de continuação – de infinito – de harmonia
entre o natural e as pontuais intervenções do Homem, para que a cada mergulho, a cada passo
dado, a praia das Laranjeiras, continue a ser um sítio único e onde o equilíbrio ente a
Arquitetura do Homem e a Arquitetura da Natureza seja indubitável.
Neste sentido, entende-se que na proposta para uma intervenção para as Piscinas Naturais na
encosta da Praia das Laranjeiras, em Balneário Camboriú, no sul do Brasil, é um exercício de
projeto que impõe a procura de novos conhecimentos que complementam a formação em
Arquitetura cujo ciclo se pretende concluir com este trabalho. Deste modo, objetiva-se esta
dissertação em dois aspetos: por um lado a definição de um programa que se define pelo
desenho de uma Piscina Natural e um pontão que enfatiza a geografia natural do terreno; e,
por outro lado, pelo desenho de um percurso através de um ambiente rochoso, que guie o
transeunte por um caminho que que pretende homenagear a Natureza até ao momento que
encontra as intervenções arquitetónicas.
The problematic of the place has always raised several questions and, when it is analyzed, from the point of view of the context in direct contact with the sea, inevitably new questions are generated. The Architecture of Nature – that is, the framing in the landscape, the importance of the place and the elements present – ends up coming into confrontation with the Architecture of Man, often limiting and/or regulating it. In this demand, this study intends to explore design strategies that respond to the exercise of designing on nature, so that the final result is the result of a consonant connection, through different origins. How can the water element be considered matter in/of Architecture? How can the typology under study take full advantage of all the specificities of the place, without compromising its essence? The presence of the water element in architecture deserves special attention due to the potential it gives to architectural space. Water enables architecture to have multiple aspects: regeneration, immersion, symbolic representation, dissolution, decomposition and multiplication of forms and reflection of sounds and lights. It can become a symbol of life, whose presence no longer defines only the human body, the earth, animals and plants, and thus becomes indispensable to architectural life. To unify two elements with such distinct characteristics: the organicity of the rocks and the geometry that architecture presents, as well as taking advantage of the place's natural depressions, in order to create unique sensations at each step taken, when experiencing the space; Carving the coastline, without taking away the authenticity of the place, creating a sense of continuation - of infinity - and that, when diving in this, irregular and paradisiacal spot of Praia de Laranjeiras, continues to be a unique place, of immersion and undoubted balance between the Architecture of Man and the Architecture of Nature. Concluding, it is understood that proposing an intervention for the Natural Pool on the slope of Praia de Laranjeiras, in Balneário Camboriú, in southern Brazil, would be a project exercise that requires the search for new knowledge that complements the training in Architecture whose cycle if you want to conclude with this work. Thus, this dissertation is aimed at two aspects: in one hand, the definition of a program that is defined by the design of a natural pool and a pontoon that emphasizes the natural geography of the terrain; and, on the other hand, by the design of a route through a rocky environment, which guides the passer-by along a path that seeks to pay tribute to Nature until the moment when it encounters the architectural intervention.
The problematic of the place has always raised several questions and, when it is analyzed, from the point of view of the context in direct contact with the sea, inevitably new questions are generated. The Architecture of Nature – that is, the framing in the landscape, the importance of the place and the elements present – ends up coming into confrontation with the Architecture of Man, often limiting and/or regulating it. In this demand, this study intends to explore design strategies that respond to the exercise of designing on nature, so that the final result is the result of a consonant connection, through different origins. How can the water element be considered matter in/of Architecture? How can the typology under study take full advantage of all the specificities of the place, without compromising its essence? The presence of the water element in architecture deserves special attention due to the potential it gives to architectural space. Water enables architecture to have multiple aspects: regeneration, immersion, symbolic representation, dissolution, decomposition and multiplication of forms and reflection of sounds and lights. It can become a symbol of life, whose presence no longer defines only the human body, the earth, animals and plants, and thus becomes indispensable to architectural life. To unify two elements with such distinct characteristics: the organicity of the rocks and the geometry that architecture presents, as well as taking advantage of the place's natural depressions, in order to create unique sensations at each step taken, when experiencing the space; Carving the coastline, without taking away the authenticity of the place, creating a sense of continuation - of infinity - and that, when diving in this, irregular and paradisiacal spot of Praia de Laranjeiras, continues to be a unique place, of immersion and undoubted balance between the Architecture of Man and the Architecture of Nature. Concluding, it is understood that proposing an intervention for the Natural Pool on the slope of Praia de Laranjeiras, in Balneário Camboriú, in southern Brazil, would be a project exercise that requires the search for new knowledge that complements the training in Architecture whose cycle if you want to conclude with this work. Thus, this dissertation is aimed at two aspects: in one hand, the definition of a program that is defined by the design of a natural pool and a pontoon that emphasizes the natural geography of the terrain; and, on the other hand, by the design of a route through a rocky environment, which guides the passer-by along a path that seeks to pay tribute to Nature until the moment when it encounters the architectural intervention.
Description
Keywords
Água Arquitetura Sensorial Lugar Natureza Paisagem Percurso