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Abstract(s)
A investigação a desenvolver pretende tomar a dramaturgia de Sartre como objeto de
experimentação fenomenológica, ligando a espacialidade e a intersubjetividade, numa
expressão de relacionamentos que modele uma teoria sartriana da ação. O objetivo é, pois,
relacionar o problema da alteridade com o teatro de situações, procurando neste uma
resposta àquele problema.
Na relação primordial entre o outro e o sujeito — relação de objetividade — impõe-se o
problema do olhar, numa consciência irrefletida, existindo enquanto objeto para outro. É
sobre esta consciência, assim como sobre as reações que dela advêm, que nos queremos
debruçar, procurando solucionar este problema do ser-com-o-outro através do teatro de
situações, partindo da exterioridade perante si mesmo enquanto ator. Com o mise en
situation, o teatro confere uma nova relevância aos conceitos de espacialidade e de
alteridade, num relacionamento de não objetivação entre ator e espectador, que
salvaguarda, por isso, o eu e a sua subjetividade.
Pretendemos encontrar em Sartre uma compreensão da ação quer através da sua
fenomenologia quer através da dramaturgia, compreendendo a forma como se intersecionam
e complementam, sobretudo nas ligações entre espacialidade e temporalidade, assim como
nos jogos de liberdade entre sujeitos, na sua estrutura teatral da liberdade. Assim, propomonos
interpretar no quadro de uma prática da hermenêutica, o texto literário de Sartre,
relacionando-o com o filosófico, porque acreditamos que o teatro de situações fornece uma
nova compreensão dos relacionamentos intersubjetivos e da sua problemática.
The research herein carried out aims to understand the dramaturgy of Jean-Paul Sartre as an apt enactment of his phenomenological analyses, trying to express onstage the Sartrean theory of human action. My main purpose is thus to relate the issue of alterity with the socalled ‘Theatre of Situations’, looking in the latter for a positive reply to the challenges posed by the former. Structurally objectifying, the relationship between myself and the Other brings to the fore the problem of the Look which, at the level of the pre-reflective cogito, makes me into a thing before Him. We want to focus on this special form of consciousness, as well as on the typical kinds of reactions it triggers and try to solve the fundamental problems of the category of Mit-Sein through the Theatre of Situations. The starting point of our analysis is the exteriority imposed on selfhood by the very role-playing which happens in stage-drama. Through the mise en scène, we claim, the theatre constructs a new form of spatiality as well as otherness, shaping a non-objectifying relationship between Actor and Spectator in which the I and his subjectivity are preserved. We want to find in Sartre an understanding of human action that, crossing phenomenology with dramaturgy, sheds light on their respective links by highlighting such issues as spatiality, temporality or intersubjective freedom – aware, all along, that they gain a new dimension in a theater room. We thus set in place a new hermeneutic framework which connects Sartre’s literary output with his philosophical project, since it is our firm believe that only through a Theatre of Situations will it be possible to get a new grasp of intersubjective relations and their seeming unattainable harmony.
The research herein carried out aims to understand the dramaturgy of Jean-Paul Sartre as an apt enactment of his phenomenological analyses, trying to express onstage the Sartrean theory of human action. My main purpose is thus to relate the issue of alterity with the socalled ‘Theatre of Situations’, looking in the latter for a positive reply to the challenges posed by the former. Structurally objectifying, the relationship between myself and the Other brings to the fore the problem of the Look which, at the level of the pre-reflective cogito, makes me into a thing before Him. We want to focus on this special form of consciousness, as well as on the typical kinds of reactions it triggers and try to solve the fundamental problems of the category of Mit-Sein through the Theatre of Situations. The starting point of our analysis is the exteriority imposed on selfhood by the very role-playing which happens in stage-drama. Through the mise en scène, we claim, the theatre constructs a new form of spatiality as well as otherness, shaping a non-objectifying relationship between Actor and Spectator in which the I and his subjectivity are preserved. We want to find in Sartre an understanding of human action that, crossing phenomenology with dramaturgy, sheds light on their respective links by highlighting such issues as spatiality, temporality or intersubjective freedom – aware, all along, that they gain a new dimension in a theater room. We thus set in place a new hermeneutic framework which connects Sartre’s literary output with his philosophical project, since it is our firm believe that only through a Theatre of Situations will it be possible to get a new grasp of intersubjective relations and their seeming unattainable harmony.
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Keywords
Fenomenologia - Dramaturgia Alteridade Liberdade Ação