| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 513.56 KB | Adobe PDF |
Advisor(s)
Abstract(s)
The Cistercian Order (11th century) stands out as an apologist of the simplicity and austerity of the space. According to the Order of Cîteaux, only with an austere space, without any distractions, the true spiritual contemplation is achieved. This Order was an aggregator and consolidator pole during the Christian Reconquest. Thus, as it happens with other Religious Orders, Cîteaux has a vast heritage legacy. This heritage is witness, not only of the historical, but also social, political, and spiritual evolution. This legacy resumes the key principles to an austere liturgy, which requirements, in the beginning, are based on the simplicity of worship and of the connection between man and God. Later, these requirements allowed the development of the liturgy itself and its relation with the believers. Consequently, it can be concisely established an empirical approach between the Cistercian churches and the acoustics conditioning of these spaces. This outcome is fundamental in order to understand the connection between liturgy and the conception of the Cistercian churches as well as the constructed space and its history. So, an analysis of these principles is essential to establish the relation between acoustic and religious buildings design throughout history. It is also a mean of understanding the knowledge of acoustics principles that the Cistercian Order bequeathed to Portugal. This paper presents an empirical approach on Cistercian monastic churches acoustics. These spaces are the place where the greatest acoustic efforts are concentrated and it is also the space where the liturgy reaches greater importance. On the other hand, Portugal is a country which has an important Cistercian legacy over several periods of history. Consequently, the portuguese Cistercian monastic churches are representative of the development of the liturgy, the design of spaces and of the acoustic requirements of their churches since the 12th century until the 21st century and it is of great importance to implement this study.
Description
Keywords
Citation
Fabiel G. Rodrigues, João C.G. Lanzinha, Ana M.T. Martins; “PORTUGUESE CISTERCIAN CHURCHES – AN ACOUSTIC LEGACY”, in IOP Conference Series: Materials Science and Engineering, Volume 245 052013, Session III - Architectural Design and Methods, Architectural Historiography, Architectural Heritage and Conservation of Historical structures, Urban Planning, Public Space, Urban, https://doi.org/10.1088/1757-899X/245/5/052013, http://iopscience.iop.org/article/10.1088/1757-899X/245/5/052013/pdf, October 2017