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Authors
Abstract(s)
O videoclipe enquanto manifesto artístico caminha paralelamente à evolução estética e
tecnológica do cinema: Arte impura que ao longo de sua história, inspirou e ajudou a
produzir outros gêneros audiovisuais, entre eles, o videoclipe – objeto de estudo desta
pesquisa.
Nessa abordagem, pretende-se analisar a produção de sentido na recente trajetória do
videoclipe, com base nas reflexões propostas por autores como Ariane Holzbach,
Arlindo Machado, Janotti Jr e Thiago Soares, na busca por elementos de confluência
entre as linguagens audiovisuais na cultura digital.
De A Hard Day’s Night dos Beatles à Reconstrução do Tiago Iorc, propõe-se
compreender a complexidade do videoclipe a partir da linguagem cinematográfica e
audiovisual na sociedade pós-moderna.
The music video as an artistic manifestation walks in parellel with the aesthetic and technological evolution of cinema: Impure art that throughout its history, inspired and helped to produce other audiovisual genres, including the music video - the object of study of this research. In this approach, we intend to analyze the production of meaning in the recent trajectory of the music video, based on the reflections proposed by authors such as Ariane Holzbach, Arlindo Machado, Janotti Jr and Thiago Soares, in the search for elements of confluence between audiovisual languages in digital culture. From A Hard Days Night by the Beatles to Reconstrução by Tiago Iorc, it is proposed to understand the complexity of the music video from the cinematographic and audiovisual language in postmodern society.
The music video as an artistic manifestation walks in parellel with the aesthetic and technological evolution of cinema: Impure art that throughout its history, inspired and helped to produce other audiovisual genres, including the music video - the object of study of this research. In this approach, we intend to analyze the production of meaning in the recent trajectory of the music video, based on the reflections proposed by authors such as Ariane Holzbach, Arlindo Machado, Janotti Jr and Thiago Soares, in the search for elements of confluence between audiovisual languages in digital culture. From A Hard Days Night by the Beatles to Reconstrução by Tiago Iorc, it is proposed to understand the complexity of the music video from the cinematographic and audiovisual language in postmodern society.
Description
Keywords
Album-Visual Cinema Mtv Música Short Film Videoclipe