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Publicação
Arquitetura e Lugar de Representação: A dança em espaço urbano
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Resumo(s)
A cenografia e a arquitetura encontram-se num diálogo historiograficamente marcado e
a sua interseção com a dança revela uma trilogia disciplinar que contribui para a
criação de ambientes que favoreçam experiências sensoriais, emocionais e de interação
social. Num estudo que vai do geral ao particular, destaca-se a importância da
cenografia não só por ser uma arte que molda espaços imaginários e simbólicos, mas
também por esta estabelecer laços estreitos com a arquitetura e o papel do espaço na
narrativa performativa.
Neste sentido, a análise é ampliada para refletir sobre a cenografia no contexto da
cidade contemporânea e sobre a sua influência na participação social, na transformação
dos espaços urbanos, na incorporação das linguagens artísticas e do efémero.
Exploram-se, portanto, os espaços públicos como partes integrantes da performance,
dissolvendo os limites tradicionais da cena institucional, ou até mesmo, ampliando-os.
Nestes contextos, a cenografia, enquanto arquitetura temporária, envolve a reinvenção
ou reaproveitamento dos mesmos, como cenário, enquanto a dança utiliza a sua
corpografia para interagir com os elementos urbanos. Com base nisto, procuram-se
lugares ainda menos convencionais, que se encontrem na cidade, e que possuam ou
revelem um certo potencial em serem reutilizados e experienciados de outra forma - os
espaços inusitados. Estes são espaços que, outrora, eram habitados e que, mais tarde,
foram abandonados, dando-se, por fim, particular importância às ruínas.
Assim, esta investigação ambiciona contribuir para uma transformação ou revitalização
de espaços urbanos, ocultos pela sua sensibilidade e fragilidade, em ambientes que
promovam a coesão social, reforcem a identidade cultural e a memória coletiva da
cidade, destacando-a como um corpo vivo e dinâmico que molda e é moldado por estas
artes efémeras.
Scenography and architecture are in a historiographically marked dialogue and their intersection with dance reveals a disciplinary trilogy that contributes to the creation of environments that favor sensory, emotional and social interaction experiences. In a study that goes from the general to the specific, the importance of scenography stands out, not only because it is an art that shapes imaginary and symbolic spaces, but also because it establishes close ties with architecture and the role of space in performative narrative. Accordingly, the analysis is extended to reflect on scenography in the context of the contemporary city and its influence on social participation, the transformation of urban spaces and the incorporation of artistic languages and the ephemeral. Therefore, public spaces are explored as integral parts of the performance, dissolving the traditional boundaries of the institutional scene, or even expanding them. In these contexts, scenography, as a temporary architecture, involves reinventing or reusing them as scenery, while dance uses its corpography to interact with urban elements. Based on this, even less conventional places are sought within the city that have or reveal a certain potential to be reused and experienced in another way - unusual spaces. These are spaces that were once lived and were later abandoned, with particular importance given to the ruins. Thus, this investigation aims to contribute to the transformation or revitalization of urban spaces, hidden by their sensitivity and fragility, into environments that promote social cohesion, reinforce the cultural identity and the collective memory of the city, highlighting it as a living and dynamic body that shapes and is shaped by these ephemeral arts.
Scenography and architecture are in a historiographically marked dialogue and their intersection with dance reveals a disciplinary trilogy that contributes to the creation of environments that favor sensory, emotional and social interaction experiences. In a study that goes from the general to the specific, the importance of scenography stands out, not only because it is an art that shapes imaginary and symbolic spaces, but also because it establishes close ties with architecture and the role of space in performative narrative. Accordingly, the analysis is extended to reflect on scenography in the context of the contemporary city and its influence on social participation, the transformation of urban spaces and the incorporation of artistic languages and the ephemeral. Therefore, public spaces are explored as integral parts of the performance, dissolving the traditional boundaries of the institutional scene, or even expanding them. In these contexts, scenography, as a temporary architecture, involves reinventing or reusing them as scenery, while dance uses its corpography to interact with urban elements. Based on this, even less conventional places are sought within the city that have or reveal a certain potential to be reused and experienced in another way - unusual spaces. These are spaces that were once lived and were later abandoned, with particular importance given to the ruins. Thus, this investigation aims to contribute to the transformation or revitalization of urban spaces, hidden by their sensitivity and fragility, into environments that promote social cohesion, reinforce the cultural identity and the collective memory of the city, highlighting it as a living and dynamic body that shapes and is shaped by these ephemeral arts.
Descrição
Palavras-chave
Cenografia Dança Espaço-Inusitado Espaço-Urbano Ruína