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Authors
Advisor(s)
Abstract(s)
Este trabalho pretende responder à intenção apresentada pela Fundação Caixa Agrícola
do Noroeste (FCAN) de reabilitar o Solar dos Quesados, uma casa senhorial setecentista
da cidade de Viana do Castelo, num Museu de Arte para a mesma fundação. O edifício
devoluto, desde 2009, apresenta sinais de avançado estado de degradação e a sua
intervenção foi declarada como urgente por ter sido sinalizado pela saúde pública, em
2017.
Na arquitetura o campo da reabilitação reveste-se de uma complexidade crescente, uma
vez que para além de todas as singularidades da obra arquitetónica, são ainda
enquadradas outras questões de carácter histórico, cultural e de memória. Esta
dissertação apresenta uma investigação sobre as questões que surgiram na abordagem
ao Solar dos Quesados e à tipologia da nova função, nomeadamente sobre o edifício e a
tipologia que o carateriza, assim como sobre a tipologia de museu. Termina com uma
proposta de intervenção no caso de estudo, que afere a compatibilidade entre os temas
abordados e a intenção da FCAN.
Assim, é apresentado o processo de reconhecimento da casa conseguido através da
comparação do levantamento arquitetónico e de documentação encontrada sobre o lugar
e sobre as casas senhoriais. Seguido pelo processo de compreensão da tipologia
museológica, enquanto função de interesse público com requisitos e obrigações próprias.
Terminando com a proposta de um pequeno museu que consiga responder às questões
levantadas, e que consiga transformar o que é história e memória numa oportunidade de
reinvenção.
This work aims to respond to the intention presented by the Fundação Caixa Agrícola do Noroeste (FCAN) to rehabilitate the Solar dos Quesados, an 18th-century manor house in the city of Viana do Castelo, into an Art Museum for the same foundation. The vacant building, since 2009, shows signs of an advanced state of degradation and its intervention was declared urgent because it was flagged by public health in 2017. In architecture, the filed of rehabilitation is increasingly complex, since in addition to all the singularities of the architectural work, other historical, cultural and memory issues are also framed. This dissertation presents an investigation of the questions that arose in the approach to the house and the typology of the new function, namely about the building and the typology that characterizes it, as well as the museum typology. It ends whit a proposal for intervention in the case study, which assesses the compatibility between the issues addressed ant the intention of FCAN. Thus, it is presented the process of recognition of the house achieved by comparing the architectural survey and the documentation found about the place and the manor houses. Followed by the process of understanding the museological typology, as a function of public interest with its own requirements and obligations. Ending with the proposal of a small museum that can answer the questions raised, and that can transform what is history and memory, into an opportunity for reinvention.
This work aims to respond to the intention presented by the Fundação Caixa Agrícola do Noroeste (FCAN) to rehabilitate the Solar dos Quesados, an 18th-century manor house in the city of Viana do Castelo, into an Art Museum for the same foundation. The vacant building, since 2009, shows signs of an advanced state of degradation and its intervention was declared urgent because it was flagged by public health in 2017. In architecture, the filed of rehabilitation is increasingly complex, since in addition to all the singularities of the architectural work, other historical, cultural and memory issues are also framed. This dissertation presents an investigation of the questions that arose in the approach to the house and the typology of the new function, namely about the building and the typology that characterizes it, as well as the museum typology. It ends whit a proposal for intervention in the case study, which assesses the compatibility between the issues addressed ant the intention of FCAN. Thus, it is presented the process of recognition of the house achieved by comparing the architectural survey and the documentation found about the place and the manor houses. Followed by the process of understanding the museological typology, as a function of public interest with its own requirements and obligations. Ending with the proposal of a small museum that can answer the questions raised, and that can transform what is history and memory, into an opportunity for reinvention.
Description
Keywords
Casas Senhorias Museu de Arte Reabilitação Solar dos Quesados Viana do Castelo