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Authors
Advisor(s)
Abstract(s)
No filme Antigone (2019), a guionista e realizadora canadiana Sophie Deraspe subverte a peça de teatro homónima (411 a.C.) de Sófocles. Nesta comunicação, pretendo examinar os mecanismos utilizados para conseguir esta adaptação tão radical quanto imaginativa. Para tanto, comparo os dois textos relativamente às quatro categorias narrativas: espaço, tempo, personagens e enredo. Para escorar o meu estudo, recorro à nota de intenções da realizadora e a ensaios de vários críticos de teatro e cinema.
In the movie Antigone (2019), Canadian screenwriter and director Sophie Deraspe subverts Sophocles’s homonymous theater play (411 B.C.). In this paper, I intend to examine the mechanisms used to achieve this adaptation, which is as imaginative as radical. To do so, I compare both texts regarding the four narrative categories: space, time, characters, and plot. To support my study, I resort to the director’s statement and to essays by several theater and film critics.
In the movie Antigone (2019), Canadian screenwriter and director Sophie Deraspe subverts Sophocles’s homonymous theater play (411 B.C.). In this paper, I intend to examine the mechanisms used to achieve this adaptation, which is as imaginative as radical. To do so, I compare both texts regarding the four narrative categories: space, time, characters, and plot. To support my study, I resort to the director’s statement and to essays by several theater and film critics.
Description
Keywords
Antígona Sófocles Sophie Deraspe Liberdade Justiça Imigração
Pedagogical Context
Citation
Mancelos, João de. “O meu coração diz-me… Antígona num filme de Sophie Deraspe”. Forma breve. Congresso Internacional Antígona: Liberdade e Opressão (Departamento de Línguas e Culturas, Universidade de Aveiro), 21 (2025): 593-602. ISSN: 1645-927X.
Publisher
Universidade de Aveiro Editora
