| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 1.82 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
O terror é um gênero cinematográfico que conta com uma longa tradição estética e
narrativa, que já dura mais de um século e que atravessa toda a história do cinema.
Portanto, é também esperado que o gênero conte com diversas mudanças na forma como
uma narrativa de terror é construída ao longo de sua história, que podem ocorrer por
fatores como a influência social e histórica no contexto da produção do filme, as
referências culturais de cada autor, assim como sua localização geográfica. Neste âmbito,
busco encontrar as tendências das estruturas narrativas que as obras de Jordan Peele,
Ari Aster e Robert Eggers trouxeram para o cinema de terror na década de 2010. Para
tanto, o trabalho procura buscar definições satisfatórias para que a pesquisa tenha uma
base sólida; primeiramente do que é o terror como gênero cinematográfico e, depois, do
que é uma estrutura narrativa no cinema. Depois, foco-me na recapitulação da história
do gênero a partir da perspectiva das estruturas narrativas. Após isso, faço as análises
dos filmes Get Out e Us, de Jordan Peele, Hereditary e Midsommar, de Ari Aster e The
Witch e The Ligthouse, de Robert Eggers. Nesta segunda parte, a dissertação busca
destacar e se aprofundar em todos os elementos de inovação narrativa que esses filmes
possuem, como eles são apresentados em cada obra e quais são as fugas ou subversões
das estruturas clássicas, quando elas existem. Por fim, as conclusões buscam perceber
por que tais inovações narrativas existem nas obras desses autores e qual é o papel que
elas desempenham na história do terror.
Horror is a genre that has a long aesthetic and narrative tradition, which has lasted for over a century and which permeates the entire history of cinema. Therefore, it is also expected that the horror will have several changes in the way a narrative is constructed throughout its history, which may occur due to factors such as the social and historical influence in the context of the film's production, the cultural background of each author, as well as its geographic location. In this context, my objective through this dissertation is to find the trends in terms of narrative structures that the works of Jordan Peele, Ari Aster and Robert Eggers brought to horror cinema in the 2010s. For that, the work focus, primarily, in the search for satisfactory definitions so that the research has a solid base; first of what horror is as a cinematographic genre and then of what is a narrative structure in cinema. Then, I focus on recapitulating the history of the horror from the perspective of narrative structures. After that, I analyze the films Get Out and Us, by Jordan Peele, Hereditary and Midsommar, by Ari Aster and The Witch, and The Ligthouse, by Robert Eggers. In this second part, the dissertation seeks to highlight and delve into all the elements of narrative innovation that these films bring, how they are presented in each work, and what are the subversions of classical structures, if any. Finally, the conclusions seek to understand why such narrative innovations exist in the works of these authors and what role they play in the history of horror.
Horror is a genre that has a long aesthetic and narrative tradition, which has lasted for over a century and which permeates the entire history of cinema. Therefore, it is also expected that the horror will have several changes in the way a narrative is constructed throughout its history, which may occur due to factors such as the social and historical influence in the context of the film's production, the cultural background of each author, as well as its geographic location. In this context, my objective through this dissertation is to find the trends in terms of narrative structures that the works of Jordan Peele, Ari Aster and Robert Eggers brought to horror cinema in the 2010s. For that, the work focus, primarily, in the search for satisfactory definitions so that the research has a solid base; first of what horror is as a cinematographic genre and then of what is a narrative structure in cinema. Then, I focus on recapitulating the history of the horror from the perspective of narrative structures. After that, I analyze the films Get Out and Us, by Jordan Peele, Hereditary and Midsommar, by Ari Aster and The Witch, and The Ligthouse, by Robert Eggers. In this second part, the dissertation seeks to highlight and delve into all the elements of narrative innovation that these films bring, how they are presented in each work, and what are the subversions of classical structures, if any. Finally, the conclusions seek to understand why such narrative innovations exist in the works of these authors and what role they play in the history of horror.
Description
Keywords
Estruturas Narrativas Filmes de Terror História do Terror Subversões Narrativas Terror Na Década de 2010