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Authors
Advisor(s)
Abstract(s)
Este relatório tem como objetivo principal entender e escrever sobre os princípios que
estruturam uma narrativa em Banda Desenhada (BD), através de, uma pesquisa
aprofundada sobre o estado da arte e criar um roteiro para um projeto de BD.
Nesse sentido é feito um estudo da BD europeia, dos Comics norte americanos e da
Manga japonesa, onde é analisado o enquadramento histórico e também são exploradas
as influências que estes estilos estabelecem entre si.
Após aprofundar o conhecimento destes diferentes estilos de BD, foram analisadas as
suas estruturas narrativas, temáticas, expressões gráficas, composições e outros aspetos,
que influenciaram a escolha da criação de uma Banda Desenhada que incorpora as
diferentes influências, misturando o Manga com a BD europeia e os Comics americanos.
Como resultado, a característica principal é a ausência de paleta cromática, elemento
proveniente do Manga, que se define pelo uso de preto e branco, assim como o uso de
expressões exageradas nas emoções dos personagens, mas mantendo um esquema de
leitura ocidental (da esquerda para a direita) e utilizando pequenos detalhes de cor.
A pesquisa não se foca apenas na história da Banda Desenhada, dá também destaque a
alguns dos seus autores mais consagrados, tais como: Hergé, Hogarth e Tsutsui,
explorando algumas das suas obras e o impacto que estas tiveram no universo da Banda
Desenhada.
Em relação ao projeto de BD, que no âmbito desta tese foi criado (com 61 páginas), são
descritas e justificadas todos as fases da sua evolução até ao resultado final, expondo as
fontes de inspirações, temática, estrutura narrativa, concept art, guião, arte final e as
técnicas utilizadas.
This report has as main objective to understand and write about the principles that structure a narrative in Comics (BD), through an in-depth research on the state of the art and create a script for a BD project. In this sense, a study of European comics, North American Comics and Japanese Manga is made, where the historical framework is analyzed and the influences that these styles establish among themselves are also explored. After deepening the knowledge of these different BD styles, their narrative structures, themes, graphic expressions, compositions and other aspects were analyzed, which influenced the choice of creating a Comics that incorporates the different influences, mixing Manga with European BD. and American Comics. As a result, the main feature is the absence of a chromatic palette, an element that comes from Manga, which is defined by the use of black and white, as well as the use of exaggerated expressions in the emotions of the characters, but maintaining a Western reading scheme (from the left to the right) and using small color details. The research does not focus only on the history of Comics, it also highlights some of its most renowned authors, such as: Hergé, Hogarth and Tsutsui, exploring some of their works and the impact they had on the universe of Comics. In relation to the BD project, which was created under this thesis (with 61 pages), all stages of its evolution up to the final result are described and justified, exposing the sources of inspiration, thematic, narrative structure, concept art, script , final art and the techniques used.
This report has as main objective to understand and write about the principles that structure a narrative in Comics (BD), through an in-depth research on the state of the art and create a script for a BD project. In this sense, a study of European comics, North American Comics and Japanese Manga is made, where the historical framework is analyzed and the influences that these styles establish among themselves are also explored. After deepening the knowledge of these different BD styles, their narrative structures, themes, graphic expressions, compositions and other aspects were analyzed, which influenced the choice of creating a Comics that incorporates the different influences, mixing Manga with European BD. and American Comics. As a result, the main feature is the absence of a chromatic palette, an element that comes from Manga, which is defined by the use of black and white, as well as the use of exaggerated expressions in the emotions of the characters, but maintaining a Western reading scheme (from the left to the right) and using small color details. The research does not focus only on the history of Comics, it also highlights some of its most renowned authors, such as: Hergé, Hogarth and Tsutsui, exploring some of their works and the impact they had on the universe of Comics. In relation to the BD project, which was created under this thesis (with 61 pages), all stages of its evolution up to the final result are described and justified, exposing the sources of inspiration, thematic, narrative structure, concept art, script , final art and the techniques used.
Description
Keywords
Bande Dessinée Comics Cultura Pop Ilustração Manga Narrativa