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Implementação de Softwares 2D e 3D no Design de Moda de Cerimónia
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| Documento em Acesso Embargado até dia 11-06-2028. Tente solicitar cópia ao autor carregando no ficheiro | 6.3 MB | Adobe PDF |
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A presente dissertação tem como objetivo investigar o impacto da implementação de softwares de modelagem 2D e 3D no design de moda de cerimónia, um setor tradicionalmente marcado pelo rigor, pela sofisticação e pelo elevado valor simbólico das peças de vestuário. O estudo parte da premissa de que a transição para ferramentas digitais pode otimizar processos criativos, reduzir desperdícios e ampliar as possibilidades de inovação, enquanto enfrenta resistências culturais e barreiras técnicas.
A investigação desenvolveu-se em duas vertentes complementares: por um lado, o estado da arte sobre a evolução histórica da moda de cerimónia, a introdução de softwares CAD, a modelagem digital e as tendências emergentes ligadas à inteligência artificial, realidade aumentada e sustentabilidade. Por outro lado, um estudo de caso, que incluiu entrevistas a designers de moda de cerimónia e um teste prático comparativo entre a modelagem tradicional e a digital, realizado com recurso ao software “Clo3D”.
Os resultados demonstram que os softwares digitais permitem acelerar o processo criativo, reduzir custos de produção, melhorar a comunicação com clientes e equipas, bem como apoiar práticas mais sustentáveis, através da substituição de protótipos físicos por protótipos virtuais. Destaca-se igualmente o potencial para a confeção de peças sob medida com maior precisão, fator particularmente relevante no contexto da moda de cerimónia. Contudo, a investigação revelou também desafios significativos, como os elevados custos de aquisição, a necessidade de formação especializada e a resistência cultural à mudança por parte de profissionais habituados a métodos tradicionais.
Conclui-se que os softwares de modelagem 2D e 3D não devem ser entendidos como substitutos da prática tradicional, mas antes como ferramentas complementares, capazes de potenciar a criatividade, a eficiência e a sustentabilidade do setor.
This dissertation aims to investigate the impact of the implementation of 2D and 3D modeling software in ceremonial fashion design, a sector traditionally marked by rigor, sophistication, and the high symbolic value of its garments. The study starts from the premise that the transition to digital tools can optimize creative processes, reduce waste, and expand possibilities for innovation, while also facing cultural resistance and technical barriers. The research was developed in two complementary dimensions: on one hand, the state of the art regarding the historical evolution of ceremonial fashion, the introduction of CAD software, digital modeling, and emerging trends related to artificial intelligence, augmented reality, and sustainability. On the other hand, a case study was carried out, which included interviews with ceremonial fashion designers and a comparative practical test between traditional and digital patternmaking, using the “Clo3D” software. The results show that digital software can accelerate the creative process, reduce production costs, improve communication with clients and teams, and support more sustainable practices by replacing physical prototypes with virtual ones. The potential for producing tailor-made garments with greater precision also stands out, a particularly relevant factor in the context of ceremonial fashion. However, the research also revealed significant challenges, such as high acquisition costs, the need for specialized training, and cultural resistance to change among professionals accustomed to traditional methods. It is concluded that 2D and 3D modeling software should not be understood as substitutes for traditional practice, but rather as complementary tools capable of enhancing creativity, efficiency, and sustainability in the sector.
This dissertation aims to investigate the impact of the implementation of 2D and 3D modeling software in ceremonial fashion design, a sector traditionally marked by rigor, sophistication, and the high symbolic value of its garments. The study starts from the premise that the transition to digital tools can optimize creative processes, reduce waste, and expand possibilities for innovation, while also facing cultural resistance and technical barriers. The research was developed in two complementary dimensions: on one hand, the state of the art regarding the historical evolution of ceremonial fashion, the introduction of CAD software, digital modeling, and emerging trends related to artificial intelligence, augmented reality, and sustainability. On the other hand, a case study was carried out, which included interviews with ceremonial fashion designers and a comparative practical test between traditional and digital patternmaking, using the “Clo3D” software. The results show that digital software can accelerate the creative process, reduce production costs, improve communication with clients and teams, and support more sustainable practices by replacing physical prototypes with virtual ones. The potential for producing tailor-made garments with greater precision also stands out, a particularly relevant factor in the context of ceremonial fashion. However, the research also revealed significant challenges, such as high acquisition costs, the need for specialized training, and cultural resistance to change among professionals accustomed to traditional methods. It is concluded that 2D and 3D modeling software should not be understood as substitutes for traditional practice, but rather as complementary tools capable of enhancing creativity, efficiency, and sustainability in the sector.
Descrição
Palavras-chave
Modelagem 2D e 3D Design de Moda Moda de Cerimónia Softwares de Modelagem CLO 3D Processo Criativo 2D and 3D Patternmaking Fashion Design Ceremonial Fashion Patternmaking Softwares Creative Process