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Resumo(s)
Ian McEwan’s novel Saturday deals with the complex issues of conflict and transformation in the age of terrorism. The plot presents one internal dilemma and several interpersonal altercations that occur within a mere twenty-four hours: a) Perowne (the protagonist) vs. himself, in face of his ambivalent thoughts regarding British military participation in the war in the Middle East; b) The protagonist vs. Baxter, a ruffian from East End, in the context of a car accident; c) Perowne vs. a fellow anaesthetist, Jay Strauss, during a squash game; d) Perowne’s daughter, Daisy vs. her grandfather, John Grammaticus, both poets and rivals; e) Perowne’s family vs. Baxter, who intrudes the protagonist’s house. In this paper, I exemplify, analyse and discuss how: a) Understanding the causes of what we call evil constitutes an important step towards mutual understanding; b) Both science and arts (which Perowne considers, at first, irrelevant) are important elements in the process of transformation; c) Both personal and interpersonal conflicts are intrinsic to human nature — but they also propitiate healthy changes in behaviour and opinion, through reflection. In order to do so, I resort to Saturday, and to the work of several specialists in the field of conflict management.
Descrição
Palavras-chave
Ian McEwan Saturday Conflict management Mediation Arbitration
Contexto Educativo
Citação
Mancelos, João de. “Welcome to the New World Disorder: Conflict and Transformation in Ian McEwan’s Saturday”. Polissema (Instituto Superior de Contabilidade e Administração do Porto) 9 (2009): 61-76. ISSN: 1645-1937.
Editora
Instituto Superior de Contabilidade e Administração do Porto