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Authors
Abstract(s)
O molde para a elaboração deste trabalho baseia-se no princípio evidente de que a História se
repete, capaz de despertar — ao mesmo tempo — interesse por temas à primeira vista anacrónicos.
Senão veja-se o crescimento da posição actual perante a aplicabilidade de soluções
arquitectónicas inspiradas na tradição popular mais próxima e considere-se o levantamento
realizado pelos arquitectos do “Inquérito à Arquitectura Regional Portuguesa” (IARP) no século
passado. Os resultados não só vieram contribuir para o apuramento projectual individual — na
procura de uma linguagem que mediasse entre as imposições estilísticas do Estado Novo e o
radicalismo do International Style —, como foram pioneiros ao formalizar noções que até então
careciam de “arquétipo”.
Deste modo, e em oposição ao que esta ideia possa sugerir — por via das mesclas unitárias
presentes no Movimento da Casa “Portuguesa” [(MCP) 1940/50] —, é impossível dissociá-la do
conceito de comunitarismo e da importância que o estudo de casos particulares assume no reforço
da existência de uma diversidade arquitectónica popular em Portugal, cujo entendimento
directamente se relaciona com o contexto específico de cada região.
Assim sendo, propõe-se confrontar parcialmente a informação recolhida entre 1955/57,
identificando para o efeito localizações exactas. Mediante vários suportes, a análise do mesmo
permitirá dissertar sobre as mudanças que estes espaços verificam passados sessenta e três anos;
e servirão como pretexto para o entendimento generalizado que eventuais pontos de contacto
possam existir entre a reabilitação/produção (formal ou construtiva) de peças cuja origem assenta
na tradição histórica e objectos arquitectónicos contemporâneos.
The following work is based on the main principle that History repeats itself, thus can create interest in subjects that may look, at first sight, anachronistic. If not let us recall the growing position towards architectural solutions that take reference from the past and retrace the studies perceived by the architects of the Inquérito à Arquitectura Regional Portuguesa (Survey on Portuguese Regional Architecture). Because they were looking for a middle way between the Estado Novo (New State) own stylistic impositions and the radicalism of the International Style, the results not only influenced their individual designs, but also acquired a pioneer status, raising many new questions. Even though this idea can mistakenly be partnered with other researches such as the Movimento da Casa “Portuguesa” (“Portuguese” House Movement) of 1940/50 and its stylistic arrangements, it is impossible to disconnect it from wider concepts like communitarianism, which the study of Portuguese vernacular architectural diversity endorses upon different local contexts. Therefore, after identifying the matters pursued, most of the information collected during 1955/57 will be analysed and compared. Through several representative techniques it will be possible to dissertate about the changes locally verified after sixty three years, alongside a wider understanding to find potential connections between rehabilitation/production (formal or constructive) of buildings with historical background and contemporary ones.
The following work is based on the main principle that History repeats itself, thus can create interest in subjects that may look, at first sight, anachronistic. If not let us recall the growing position towards architectural solutions that take reference from the past and retrace the studies perceived by the architects of the Inquérito à Arquitectura Regional Portuguesa (Survey on Portuguese Regional Architecture). Because they were looking for a middle way between the Estado Novo (New State) own stylistic impositions and the radicalism of the International Style, the results not only influenced their individual designs, but also acquired a pioneer status, raising many new questions. Even though this idea can mistakenly be partnered with other researches such as the Movimento da Casa “Portuguesa” (“Portuguese” House Movement) of 1940/50 and its stylistic arrangements, it is impossible to disconnect it from wider concepts like communitarianism, which the study of Portuguese vernacular architectural diversity endorses upon different local contexts. Therefore, after identifying the matters pursued, most of the information collected during 1955/57 will be analysed and compared. Through several representative techniques it will be possible to dissertate about the changes locally verified after sixty three years, alongside a wider understanding to find potential connections between rehabilitation/production (formal or constructive) of buildings with historical background and contemporary ones.
Description
Keywords
Arquitectura Contemporâneo Popular Portugal Tecnologias-Construtivas