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Advisor(s)
Abstract(s)
Arte e Sociedade desde sempre estiveram relacionadas. O pressuposto deste
trabalho é o de procurar e clarificar uma pequena vertente desta relação. Os filmes da
década de 1970 de François Truffaut e a sociedade francesa da mesma década, a par
das suas reformas políticas, servem o propósito deste trabalho, sendo esses os
elementos chave para esta relação entre cinema e sociedade.
França, década de 1970, encontramos um país marcado pelo Maio de 68, pelo
movimento feminista e por uma crise económica mundial. Além das problemáticas
económicas a resolver, são várias as reformas sociais que se impõem. O Governo de
Giscard vem resolver alguns destes problemas, liberalizando o aborto, legalizando o
uso de contraceptivos ou procurando impulsionar a economia. A par de uma sociedade
em mudança, encontramos sempre uma cultura em renovação e a par destas as suas
formas artísticas. Nesta década encontramos uma renovação do estado artístico
francês, a influência de todas as alterações económicas e sociais manifestam-se numa
crescente politização deste. Nos anos 70, surgem no cinema francês ideias marxistas,
existencialistas, feministas, entre outras. A crescente liberdade sexual encontra,
também, o seu lugar no panorama cinematográfico.
Nesta época do cinema francês encontramos François Truffaut mais próximo de
uma maturidade artística. Truffaut não abdica nunca de ser o cineasta que deseja ser,
nunca pondo de parte o espectador. Há um tema constante na sua obra, que é
precisamente o do amor. Esta é a temática que serve o propósito da procura de uma
manifestação do social real na obra deste cineasta. Truffaut ama o cinema e ama a
vida. Tal como às suas personagens é o amor que o motiva. Para além do estudo desta
temática especifica, serão também abordadas as propostas de Truffaut relativas à
criação cinematográfica.
Art and societay have always been conected. The main assumption behind this paper is to seek and clarify one small aspect of this relationship. François Truffauts films of the 1970’s decade and the french society as well as it politics, serve ther purpose of this work, being the key elements to this relationship between cinema and culture. France, the 1970’s, we found a contry marked by the events of May 68, by the feminist movement and by a global economycal crisis. In addition to this economical problems that needed to be solved, there were several social reforms needed. Giscards government comes to solve some of these problems by liberalizing the abortion, legalizing the use of contraceptives or boosting the economy. Along with a changing society, we always find a culture in renovation, and with these their artistical forms. In this decade we find a renovation of the french art forms, the influence of all these economical and social changes manifest themselves in a growing politicisation of the arts. In the 70’s, some marxist, existencialist and feminist ideias emerge in the french cinema. The increasing sexual freedom also finds its place in this cinematatic scene. In this era of the french cinema, we find François Truffaut closer to an artistic maturity. Truffaut never gives up the kind of filmmaker he wants to be, never apart from the viewer. There is a recurring theme in his work, which is precisely love. This is the theme that serves the purpose of this thesis, seeking the manifestation of a social reality in this filmmaker work. Truffaut loves movies and loves life, as his characteres is love that motivates him. In addition to the study of this specific issue, there will also be discussed Truffauts proposals on filmmaking.
Art and societay have always been conected. The main assumption behind this paper is to seek and clarify one small aspect of this relationship. François Truffauts films of the 1970’s decade and the french society as well as it politics, serve ther purpose of this work, being the key elements to this relationship between cinema and culture. France, the 1970’s, we found a contry marked by the events of May 68, by the feminist movement and by a global economycal crisis. In addition to this economical problems that needed to be solved, there were several social reforms needed. Giscards government comes to solve some of these problems by liberalizing the abortion, legalizing the use of contraceptives or boosting the economy. Along with a changing society, we always find a culture in renovation, and with these their artistical forms. In this decade we find a renovation of the french art forms, the influence of all these economical and social changes manifest themselves in a growing politicisation of the arts. In the 70’s, some marxist, existencialist and feminist ideias emerge in the french cinema. The increasing sexual freedom also finds its place in this cinematatic scene. In this era of the french cinema, we find François Truffaut closer to an artistic maturity. Truffaut never gives up the kind of filmmaker he wants to be, never apart from the viewer. There is a recurring theme in his work, which is precisely love. This is the theme that serves the purpose of this thesis, seeking the manifestation of a social reality in this filmmaker work. Truffaut loves movies and loves life, as his characteres is love that motivates him. In addition to the study of this specific issue, there will also be discussed Truffauts proposals on filmmaking.
Description
Keywords
Cinema francês - François Truffaut Cinema de Truffaut Cinema de Truffaut - Tema do amor Cinema de Truffaut - Sociedade e cultura francesa França - Contextualização histórica - Década 70
Pedagogical Context
Citation
Publisher
Universidade da Beira Interior