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Abstract(s)
Num texto escrito que se furta aos tradicionais padrões e metodologias académicas, ensaiamos uma leitura que viaja do romance O sangue dos outros, de Simone de Beauvoir, para uma reflexão sobre um dos temas centrais do livro: a incapacidade de declarar amor ao outro e de vivência plena de sentimentos íntimos. O tema, como reconheceremos, perpassa o século XX, encontrando expressão em diversos objectos artísticos, da literatura ao cinema, do teatro à dança, da música às artes plásticas. De uma perspectiva sociológica, estes anos de conflitos mundiais, de reposicionamentos políticos e de manifestações em prol de uma universalização dos direitos humanos, questionaram ou tornaram fugazes muitas das uniões matrimoniais, que foram deixando de poder basear-se em relações essencialmente económicas, morais ou religiosas. Face a profundas alterações em ideais e valores dominantes, o amor seria então revalorizado como o último dos compromissos.Não obstante, nas linhas essencialmente aporéticas que aqui apresentamos, não propomos leituras finais ou justificações últimas para a resistência a palavras que anunciem novas fases, vidas ou promessas mútuas. Partimos apenas de um romance que mimetiza uma realidade comum, propagada em várias formas de expressão artística da contemporaneidade.
In a written text that evades the traditional standards and academic methodologies, we perform a reading that travels from the novel The Blood of Others, by Simone de Beauvoir, into a reflection on one of the central issues of the book: the inability to declare love to the other and complete experience of intimate feelings. The theme, as we will recognize, runs through the twentieth century, finding expression in various artistic objects, from literature to cinema, from theater to dance, from music to visual arts. From a sociological perspective, these years of world conflicts, of political repositions and manifestations for human rights’ universalization, questioned or made fleeting many of the marriages that no longer could be based on relations economic, moral or religious essentially based. Towards profound changes in ideals and dominant values, love was then revalued as the last of the commitments. Regardless of, in the essentially aporetic lines presented here, we do not propose final readings or ultimate justifications for resistance to words that announce new phases, lives or mutual promises. We start from a novel that mimics a common reality, diffused in various forms of artistic expression of the contemporaneity.
In a written text that evades the traditional standards and academic methodologies, we perform a reading that travels from the novel The Blood of Others, by Simone de Beauvoir, into a reflection on one of the central issues of the book: the inability to declare love to the other and complete experience of intimate feelings. The theme, as we will recognize, runs through the twentieth century, finding expression in various artistic objects, from literature to cinema, from theater to dance, from music to visual arts. From a sociological perspective, these years of world conflicts, of political repositions and manifestations for human rights’ universalization, questioned or made fleeting many of the marriages that no longer could be based on relations economic, moral or religious essentially based. Towards profound changes in ideals and dominant values, love was then revalued as the last of the commitments. Regardless of, in the essentially aporetic lines presented here, we do not propose final readings or ultimate justifications for resistance to words that announce new phases, lives or mutual promises. We start from a novel that mimics a common reality, diffused in various forms of artistic expression of the contemporaneity.
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Keywords
Amor Enunciação Performativo Compromisso
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Publisher
Universidade Federal do Maranhão - UFMA