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Authors
Advisor(s)
Abstract(s)
Hapticotopia consiste num projecto de investigação materializado numa instalação
artística com foco na faculdade háptica, utilizando várias tecnologias multimediáticas e
explorando a multisensorialidade. Reduzindo ao mínimo o sentido da visão, o projecto
investiga de que modo a pele, o maior órgão do corpo humano, pode funcionar e ser
considerada a base sensorial para o desenvolvimento de experiências sinestésicas.
A instalação projectada dispensa em grande medida o uso do sentido da visão,
logrando expandir e reforçar a percepção e a interpretação da realidade através dos outros
sentidos, nomeadamente o acústico e o táctil, discutindo a sua reciprocidade
Ao estimular estes outros sentidos, do ponto de vista fenomenológico, os sujeitos,
mais que observadores, os participantes têm a oportunidade de ampliar e intensificar a
experiência e, consequentemente, a realidade.
A questão central do projecto de doutoramento, de saber se existem “imagens”
independentes do sentido da visão, abriu campo à noção de que a experiência estética não
depende apenas de objectos físicos, mas resulta da relação e da combinação de fenómenos
perceptivos e cognitivos complexos, incluindo os sensoriais e emocionais, mas também os
poéticos, operativos e conceptuais.
Privilegiando a técnica, esta tese organiza-se em duas partes: uma primeira que
consiste num ensaio, e uma segunda, referente ao projecto, propriamente dito. Ambas as
partes complementam-se: a teoria e a prática são interdependentes, cruzando-se na
apreensão multissensorial e na hermenêutica da arte. Nas conclusões são contrapostas
ambas as partes e expostas preocupações e linhas de desenvolvimento futuro.
Hapticotopia is a research project materialized in an art installation with focus on haptic sense, using several multimedia technologies and exploring multisensoriality. Reducing the sense of vision to a minimum, the project investigates how the skin, the largest organ of the human body, can function and be considered the sensory basis for the development of synaesthetic experiences. The projected installation dispenses to a great extent with the use of the sense of sight. Therefore intends to expand and strengthen the perception and interpretation of reality through the other senses, namely the acoustic and tactile, discussing their reciprocity By stimulating these other senses, from a phenomenological point of view, the subjects (participants), much more than observers, have the opportunity to expand and intensify experience and, consequently, reality. The central question of the PhD project, to know if there are "images" independent of the sense of sight, opened the field to the notion that aesthetic experience does not depend only on physical objects, but results from the relationship and combination of complex perceptive and cognitive phenomena, including the sensorial and emotional ones, but also the poetic, operative and conceptual ones. Focusing on technique, this thesis is organised in two parts: the first part consists in an essay, and the second part refers to the project itself. Both parts complement each other: theory and practice are interdependent, crossing themselves in the multisensory apprehension and in the hermeneutics of art. In the conclusions, both parts are linked and concerns and lines of future development are outlined.
Hapticotopia is a research project materialized in an art installation with focus on haptic sense, using several multimedia technologies and exploring multisensoriality. Reducing the sense of vision to a minimum, the project investigates how the skin, the largest organ of the human body, can function and be considered the sensory basis for the development of synaesthetic experiences. The projected installation dispenses to a great extent with the use of the sense of sight. Therefore intends to expand and strengthen the perception and interpretation of reality through the other senses, namely the acoustic and tactile, discussing their reciprocity By stimulating these other senses, from a phenomenological point of view, the subjects (participants), much more than observers, have the opportunity to expand and intensify experience and, consequently, reality. The central question of the PhD project, to know if there are "images" independent of the sense of sight, opened the field to the notion that aesthetic experience does not depend only on physical objects, but results from the relationship and combination of complex perceptive and cognitive phenomena, including the sensorial and emotional ones, but also the poetic, operative and conceptual ones. Focusing on technique, this thesis is organised in two parts: the first part consists in an essay, and the second part refers to the project itself. Both parts complement each other: theory and practice are interdependent, crossing themselves in the multisensory apprehension and in the hermeneutics of art. In the conclusions, both parts are linked and concerns and lines of future development are outlined.
Description
Keywords
Visão Imagem Multissensorialidade Instalação Háptico