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Advisor(s)
Abstract(s)
A presente dissertação visa a discussão do tema “A arte a técnica no design
contemporâneo”. A arte e a técnica quando caminham juntas formam a ponte para o
design. Com base nisto, há a perceção de como a arte e a técnica no design interagem
numa situação de emergência, como a SARS-COV-2.
A parte inicial é uma abordagem histórica desde o século XIX ao século XX,
devido a ter sido nestes séculos que começou a surgir a dicotomia da indústria e da
arte e, por consequência, a sua simbiose, que origina o design. Na atualidade há a
compreensão de como o design interage com a arte e a técnica. Se por um lado há o
design na sua dimensão mais artística e daqui surge o design crítico e especulativo, por
outro lado temos a dimensão mais técnica no design. Faz-se assim uma análise de
como arte e técnica dão a valorização ao design, tornando-o com objetivos concretos
e tendo ele um papel fulcral na sociedade. O design é feito para pessoas/utilizadores
e com a função/tentativa de resolver algo com base na sociedade. E é a concordância
destas duas dimensões, tanto a dimensão mais técnica, como a dimensão mais artística
que dá o surgimento de um design mais consciente. Um design consciente que tem por
base a realização de algo funcional, necessário, durável e sustentável. Com base nisto,
questionamos como é que estas duas dimensões atuam no design realizado num estado
de emergência, mais precisamente na pandemia Covid-19 e como os objetos
caracterizam esta situação tão específica.
The aim of this dissertation is to discuss the theme the art and the technique in the contemporary design. When together, art and technique lead to design. Based on this, there is the awareness of how art and technique interact in an emergency situation, such as SARS-COV-2. The initial part is a historical approach from the 19th to the 20th century, since it was then that the dichotomy between industry and art began to emerge, and, consequently, its symbiosis which has originated design. Nowadays, there is an understanding of how design interacts with the art and the technique. On the one hand, design has a more artistic dimension and so the critical and speculative design has appeared; on the other hand, there is a more technical dimension of design. This way, it is analysed how art and technique value design, making it more objective and having a central role in society. Design is made for people/users and has the function/attempt to solve something based on society. Therefore, it is the relationship between these two dimensions, both the more technical and the more artistic, that permits a more conscious design. A conscious design based on making something functional, necessary, durable and sustainable. Based on this, it is questioned the way these two dimensions act in the design during a state of emergency, more precisely in the Covid-19 pandemic, and how the objects characterise such a specific situation.
The aim of this dissertation is to discuss the theme the art and the technique in the contemporary design. When together, art and technique lead to design. Based on this, there is the awareness of how art and technique interact in an emergency situation, such as SARS-COV-2. The initial part is a historical approach from the 19th to the 20th century, since it was then that the dichotomy between industry and art began to emerge, and, consequently, its symbiosis which has originated design. Nowadays, there is an understanding of how design interacts with the art and the technique. On the one hand, design has a more artistic dimension and so the critical and speculative design has appeared; on the other hand, there is a more technical dimension of design. This way, it is analysed how art and technique value design, making it more objective and having a central role in society. Design is made for people/users and has the function/attempt to solve something based on society. Therefore, it is the relationship between these two dimensions, both the more technical and the more artistic, that permits a more conscious design. A conscious design based on making something functional, necessary, durable and sustainable. Based on this, it is questioned the way these two dimensions act in the design during a state of emergency, more precisely in the Covid-19 pandemic, and how the objects characterise such a specific situation.
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Keywords
Arte Contemporâneo Design Design Industrial Pandemia Sars-Cov-19 Técnica