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Abstract(s)
Esta dissertação aproxima o design à comunicação. ‘Comunicar’ indica o acto de tornar
comum e é por esta via que são construídas as noções da realidade. Os objectos são
obstáculos que o Homem projecta para remover os outros obstáculos do caminho. Com a
criação destes desígnios o ser humano manipula, por via do engenho e da arte, as suas
próprias limitações. Vilém Flusser indica, quanto à responsabilidade, que o designer pode
responder com um contributo positivo. De ‘forma aberta’, dialógicos, inacabados ou
intersubjectivos, os objectos podem colaborar para uma menor obstrução no progresso da
cultura. Em referência às estruturas enganosas perante a natureza humana, encontramos o
campo da moda. O vestuário cobre o pudor e ornamenta artificialmente o Homem. A moda,
que se reconhece efémera, é facilmente posicionada no campo da comunicação. Todo o
adorno representa uma ‘carta aberta’ sobre o seu utilizador. Os objectos, além das
determinações problemáticas, são portadores de sentido. Esta dissertação indica uma
aproximação a uma natureza - tal como a moda e os costumes sazonais - alterável. A
proposta consiste na criação daquilo que poderá ser caracterizado como uma plataforma
mutável onde existe um espaço de auto ajustamento próprio do utilizador.
This dissertation joins the design to communication. ‘To communicate’ refers to the act of making common and it’s this way that the notion of reality is built. The objects are obstacles that humans project to remove other obstacles in their path. With the creation of these designs the human being manipulates, by his ingenuity and art, his own limitations. Vilém Flusser defends that as for the responsibility, the designer may respond with a positive contribution. From ‘open form’ to dialogical, unfinished or intersubjective, objects may cooperate to a smaller obstruction in the culture’s progress. Fashion can be found in this field of deceptive structures made by the human being. Garments cover up the pudenda and, at the same time, artificially ornament the human body. Fashion, where ephemerality is recognized, is easily positioned in the field of communication. Every ornament represents an ‘open letter’ from its user. The objects, beyond the problematic determinations, are holders of meanings. This dissertation indicates an approach to a changeable – such as fashion and seasonal habits – nature. The proposal is a creation of what may be characterized by a changing platform where there is space for user’s self adjustment.
This dissertation joins the design to communication. ‘To communicate’ refers to the act of making common and it’s this way that the notion of reality is built. The objects are obstacles that humans project to remove other obstacles in their path. With the creation of these designs the human being manipulates, by his ingenuity and art, his own limitations. Vilém Flusser defends that as for the responsibility, the designer may respond with a positive contribution. From ‘open form’ to dialogical, unfinished or intersubjective, objects may cooperate to a smaller obstruction in the culture’s progress. Fashion can be found in this field of deceptive structures made by the human being. Garments cover up the pudenda and, at the same time, artificially ornament the human body. Fashion, where ephemerality is recognized, is easily positioned in the field of communication. Every ornament represents an ‘open letter’ from its user. The objects, beyond the problematic determinations, are holders of meanings. This dissertation indicates an approach to a changeable – such as fashion and seasonal habits – nature. The proposal is a creation of what may be characterized by a changing platform where there is space for user’s self adjustment.
Description
Keywords
Design moda Design moda - Comunicação Design moda - Semiótica Design moda - Comunicação visual Design moda - Mudança social
Citation
Publisher
Universidade da Beira Interior