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Advisor(s)
Abstract(s)
Literatura e Cinema têm tido, ao longo da História, um papel precursor em diversos movimentos
sociais. Por sua vez, diferentes propostas feministas seriam lançadas por escritoras, filósofas,
jornalistas e, já nos séculos 20 e 21, por cineastas politicamente engajadas. Nos últimos anos, o
surgimento de uma estética queer, que perpassa diferentes formas de expressão artística, viria
questionar os conceitos de heteronormatividade e gênero. Nesse sentido, pretendemos analisar
dois livros adaptados à sétima arte que sintetizam a mesma problemática: Orlando, de Virginia
Woolf (1928) e Sally Potter (1992); e As horas, de Michael Cunningham (1998) e Stephen
Daldry (2002).
Literature and Cinema have had, throughout history, a leading role in various social movements. In turn, different feminist proposals would be presented by female writers, philosophers, journalists, and already in the 20th and 21st centuries, by politically engaged filmmakers. In recent years, the emergence of a queer aesthetic that runs through different forms of artistic expression, would question the concepts of heteronormativity and gender. In this sense, we intend to analyse two books adapted to the seventh art that synthesize the same problem: Orlando, by Virginia Woolf (1928) and Sally Potter (1992); and The Hours, by Michael Cunningham (1998) and Stephen Daldry (2002).
Literature and Cinema have had, throughout history, a leading role in various social movements. In turn, different feminist proposals would be presented by female writers, philosophers, journalists, and already in the 20th and 21st centuries, by politically engaged filmmakers. In recent years, the emergence of a queer aesthetic that runs through different forms of artistic expression, would question the concepts of heteronormativity and gender. In this sense, we intend to analyse two books adapted to the seventh art that synthesize the same problem: Orlando, by Virginia Woolf (1928) and Sally Potter (1992); and The Hours, by Michael Cunningham (1998) and Stephen Daldry (2002).
Description
Keywords
Tempo, Indefinição Gênero Hibridismo Androgenia
Citation
Pereira, Ana Catarina e Taunay, Alfredo (2016) Melancolia Queer: O masculino e o feminino como construções cinematográficas temporais. Revista Textura (Universidade Luterana do Brasil - ULBRA). V. 18, n. 38 - Dossiê: Educação, Teoria e Cinema Queer. ISSN: 2358-0801.
Publisher
Revista Textura (Universidade Luterana do Brasil - ULBRA)