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O encontro da moda com a arte: uma arte vestível
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Authors
Advisor(s)
Abstract(s)
Este trabalho busca apresentar o que se entende sobre Moda e Arte para, assim, refletir
e analisar suas aproximações, como também uma possível conexão entre ambas as áreas
e, por fim, estabelecer a existência de uma Arte Vestível na Moda.
Como apresentado acima, tem-se como objetivo geral reunir informações tanto do
universo da Arte como do universo da Moda em individual para que depois estabelecer
e apresentar suas conexões, seus momentos de encontros. A Arte alimenta a Moda, a qual
é, por sua vez, alimentada por esse campo, tornando-se não só moda (vestimenta), mas
uma Arte Vestível, uma arte sem molduras que transita entre os corpos e faz a vestimenta
ganhar valores simbólicos, culturais e de projeto além do simples vestir.
Para tal, serão apresentados três estudos de casos nos quais se pode encontrar, observar
e perceber essas relações que fazem com que Moda e Arte sejam áreas interdisciplinares
e conexas. Os casos que aqui serão apresentados e analisados serão: Museu do Traje e
MUDE, Gucci Continuum e, por fim, Tiff Manuell. De antemão, é possível encontrar
alguns autores que serviram de base para estudo e discussão sobre este tema, tais como
Olga Bon (2014), Graça Proença (2012), Lipovetsky (2009), Doris Treptow (2013), entre
outros autores que estudam e apresentam pesquisas nos universos da Moda e da Arte.
Por fim, após a pesquisa, a análise, o estudo, foi possível chegar na conclusão que esses
dois campos possuem uma grande quantidade de material para analisar e discutir, são
campos extensos, de grande conteúdo e que se interligam entre si em muitos momentos.
Sendo um para o outro fonte de inspiração, de ferramentas, de conceitos e de
disseminação de ideias, de processos e de conceitos. A Arte Vestível é notória, visível e
palpável, mas ainda aberta a novidades, mais conexões e mais estudos. Moda e Arte são
campos profundos e que juntos provocam sensações físicas, visuais e intelectuais nos
usuários e nos espectadores. Suas conexões carregam grande potência e abertura para
mais aprofundamentos.
This paper aims to present what is understood about Fashion and Art in order to reflect and analyze their similarities, as well as a possible connection between both areas and, finally, establish the existence of a Wearable Art in Fashion. As presented above, the general objective is to gather information from both the worlds of Art and the world of Fashion individually in order to later establish and present their connections, their moments of encounter. Art feeds Fashion, which is, in turn, fed by this field, becoming not only fashion (clothing), but a Wearable Art, an art without frames that moves between bodies and makes clothing gain symbolic, cultural and design values beyond simple dressing. To this end, three case studies will be presented in which one can find, observe and perceive these relationships that make Fashion and Art interdisciplinary and connected areas. The cases that will be presented and analyzed here are: Museu do Traje and MUDE, Gucci Continuum and, finally, Tiff Manuell. First of all, it is possible to find some authors who served as a basis for studying and discussing this topic, such as Olga Bon (2014), Graça Proença (2012), Lipovetsky (2009), Doris Treptow (2013), among other authors who study and present research in the universes of Fashion and Art. Finally, after the research, analysis, and study, it was possible to reach the conclusion that these two fields have a large amount of material to analyze and discuss. They are extensive fields, with great content and that are interconnected in many moments. They are a source of inspiration, tools, concepts and dissemination of ideas, processes and concepts for each other. Wearable Art is notorious, visible and tangible, but still open to new developments, more connections and more studies. Fashion and Art are profound fields that together provoke physical, visual and intellectual sensations in users and spectators. Their connections carry great power and openness for further exploration.
This paper aims to present what is understood about Fashion and Art in order to reflect and analyze their similarities, as well as a possible connection between both areas and, finally, establish the existence of a Wearable Art in Fashion. As presented above, the general objective is to gather information from both the worlds of Art and the world of Fashion individually in order to later establish and present their connections, their moments of encounter. Art feeds Fashion, which is, in turn, fed by this field, becoming not only fashion (clothing), but a Wearable Art, an art without frames that moves between bodies and makes clothing gain symbolic, cultural and design values beyond simple dressing. To this end, three case studies will be presented in which one can find, observe and perceive these relationships that make Fashion and Art interdisciplinary and connected areas. The cases that will be presented and analyzed here are: Museu do Traje and MUDE, Gucci Continuum and, finally, Tiff Manuell. First of all, it is possible to find some authors who served as a basis for studying and discussing this topic, such as Olga Bon (2014), Graça Proença (2012), Lipovetsky (2009), Doris Treptow (2013), among other authors who study and present research in the universes of Fashion and Art. Finally, after the research, analysis, and study, it was possible to reach the conclusion that these two fields have a large amount of material to analyze and discuss. They are extensive fields, with great content and that are interconnected in many moments. They are a source of inspiration, tools, concepts and dissemination of ideas, processes and concepts for each other. Wearable Art is notorious, visible and tangible, but still open to new developments, more connections and more studies. Fashion and Art are profound fields that together provoke physical, visual and intellectual sensations in users and spectators. Their connections carry great power and openness for further exploration.
Description
Keywords
Arte Encontro Moda Percepção Sociedade.