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Ao longo do tempo, tal como muitas outras coisas, também o livro conheceu a sua história, podendo ser visto como um perpetuador de memórias, imortalizando saberes e tradições que circulavam a priori por via da oralidade. Deste modo, tornou-se num artefacto passível de evolução, nomeadamente até à invenção da prensa móvel, por Gutenberg, no século XV.
A dita invenção teve o seu impacto à época, estendido aos dias de hoje, trazendo consigo variadas consequências e transformando diversos sectores de atividade e áreas do saber como a música. Assim, torna-se necessário ter consciência das diversas formas de notação musical existentes até ao aparecimento da imprensa, desde a utilização de letras do alfabeto à criação de valores rítmicos mensurais, seguindo-se o seu desenvolvimento e analisando os primeiros passos da impressão musical. Esta, levada a cabo segundo os métodos de Gutenberg por Ottaviano Petrucci, em 1501, é tida como promotora de uma estandardização e massificação cultural que permitiu que a música se tornasse acessível a todos no espaço público, em maior quantidade e com uma maior qualidade.
Through time, the book had its own history. There are some who consider it as an everlasting memories maker, an immortalizer of wisdom and traditions circulating, a priori, through oral speech. It thus became an evolving artifact, especially until Gutenberg invented the mobile press in the fifteenth century. This innovation’s impact was felt at the time, as it still is today and transformed several activities, such as music. It is therefore necessary to be conscious about the several forms of musical notation that existed until the press was invented: from using the alphabet letters to the creation of mensurable rhythmic values, following its development and analyzing the music printing’s first steps. This invention, carried out by many printers like Ottaviano Petrucci, in 1501, brought music printing to life and it’s seen as the sponsor of the standardization and cultural massification that allowed music to become reachable to everyone in public space in higher and more qualified terms.
Through time, the book had its own history. There are some who consider it as an everlasting memories maker, an immortalizer of wisdom and traditions circulating, a priori, through oral speech. It thus became an evolving artifact, especially until Gutenberg invented the mobile press in the fifteenth century. This innovation’s impact was felt at the time, as it still is today and transformed several activities, such as music. It is therefore necessary to be conscious about the several forms of musical notation that existed until the press was invented: from using the alphabet letters to the creation of mensurable rhythmic values, following its development and analyzing the music printing’s first steps. This invention, carried out by many printers like Ottaviano Petrucci, in 1501, brought music printing to life and it’s seen as the sponsor of the standardization and cultural massification that allowed music to become reachable to everyone in public space in higher and more qualified terms.
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Gutenberg, Johann, 1398-1468 Imprensa - Livro - Idade Média Imprensa - Livro - Música - Renascimento Notação musical