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Authors
Abstract(s)
O mundo do mobiliário, mais propriamente de gama alta, tem estado numa crescente de
contratação de designers nas suas equipas, utilizando o design como auxiliar para um
constante crescimento e evolução, para continuar a suprir as necessidades do cliente.
O trabalho aqui defendido, é o resultado disso mesmo, sendo integrante do estágio curricular
em contexto real no âmbito da estrutura curricular do 2º ciclo de Design Industrial. Tendo
sido realizado na empresa Gual, situada em Lordelo, mostra-se assim o resultado da procura
de designers nas empresas Portuguesas de mobiliário, que estão disponíveis para os
abraçarem no seu meio.
Este primeiro contacto com o mundo do trabalho permitiu a aplicação prática dos
conhecimentos apreendidos ao longo do curso. Assim como, obter uma melhor compreensão
do processo criativo no sector do mobiliário, dos processos produtivos e de outras questões
referentes à gestão da produção e do negócio em si.
O estágio foi sustentado por dois pilares principais, um inicial focado na minha integração
dentro da empresa, com a realização de tarefas que contribuíram para o meu
desenvolvimento, sendo que esta fase foi prolongada ao longo de todo o estágio. Depois o
outro pilar foi um projeto, proposto por mim, sendo que continuei a desenvolver outros,
pedidos pela empresa em simultâneo. No projeto proposto por mim, procurei manter sempre
presente um foco ambiental, tentando desta forma suprir as falhas que a empresa tinha neste
campo ao nível do seu portefólio, mas mantendo as linhas guia da empresa.
No decorrer do estágio realizei vários pequenos projetos de mobiliário, sem um contexto tão
fundamentado. Tais como móveis em pequenas quantidades pedidas por clientes particulares,
ou desenhos tridimensionais para auxílio da equipa técnica. Tendo desenvolvido como tarefas
principais, projetos maiores, como o início de uma linha de mobiliário para o mercado Inglês.
Bem como dois projetos apresentados por mim, um com o intuito de mostrar mais o design
como mensagem e outro a utilizar o design como ferramenta da memória. Estes projetos
foram escolhidos para serem abordados neste relatório. Perfazendo um total de três, o
projeto “London Furniture”, o projeto “Edifícios degradados” e também o projeto “Skan
Desk”.
The more upscale world of furniture has been increasingly hiring designers into its teams, using design to assist with constant growth and evolution to continue to meet customer needs. The work defended here is the result of this, being part of the curricular internship in real context within the curricular structure of the 2nd cycle of Industrial Design. Having been made at the company Gual, located in Lordelo, this shows the result of the search for designers in Portuguese furniture companies, who are available to embrace them in their midst. This first contact with the world of work allows the practical application of the knowledge learned throughout the course. As well as gain a better understanding of the creative process in the furniture sector, the production processes and other issues relating to production management and the business itself. The internship was supported by 2 main pillars, an initial one focused on my integration within the company, performing tasks that contributed to its development, and this phase was extended throughout the internship. Then the other pillar was a project, proposed by me, and I continued to develop others, requested by the company simultaneously. In the project I proposed I tried to maintain an ever-present environmental focus where I tried to supply a field where the company had a major Portfolio gap, trying to keep the company's guidelines. With the internship I realized several small furniture projects, without such a well-founded context. Such as furniture in small quantities requested by private customers, or threedimensional drawings to assist the technical team. Having developed as majores tasks, larger projects such as the beginning of a line of furniture for the English market. As well as two projects presented by me, one to show more design as a message and another to use design as a tool of memory. These projects were chosen to be reported in. Making a total of 3, the “London Furniture” project, the “Degraded buildings” project and also the “Skan Desk” project.
The more upscale world of furniture has been increasingly hiring designers into its teams, using design to assist with constant growth and evolution to continue to meet customer needs. The work defended here is the result of this, being part of the curricular internship in real context within the curricular structure of the 2nd cycle of Industrial Design. Having been made at the company Gual, located in Lordelo, this shows the result of the search for designers in Portuguese furniture companies, who are available to embrace them in their midst. This first contact with the world of work allows the practical application of the knowledge learned throughout the course. As well as gain a better understanding of the creative process in the furniture sector, the production processes and other issues relating to production management and the business itself. The internship was supported by 2 main pillars, an initial one focused on my integration within the company, performing tasks that contributed to its development, and this phase was extended throughout the internship. Then the other pillar was a project, proposed by me, and I continued to develop others, requested by the company simultaneously. In the project I proposed I tried to maintain an ever-present environmental focus where I tried to supply a field where the company had a major Portfolio gap, trying to keep the company's guidelines. With the internship I realized several small furniture projects, without such a well-founded context. Such as furniture in small quantities requested by private customers, or threedimensional drawings to assist the technical team. Having developed as majores tasks, larger projects such as the beginning of a line of furniture for the English market. As well as two projects presented by me, one to show more design as a message and another to use design as a tool of memory. These projects were chosen to be reported in. Making a total of 3, the “London Furniture” project, the “Degraded buildings” project and also the “Skan Desk” project.
Description
Keywords
Escandinavo Evolução Memória Redesenhar