| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 5.49 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
A abundância informativa, resultante tanto da atividade dos jornalistas como dos públicos,
provocou, por um lado, a aproximação entre produtores e consumidores, e, por outro, a
irremediável porosidade do campo do jornalismo. O cenário no qual as audiências emergem
no palco da produção noticiosa é, pois, de grande indefinição. O jornalismo televisivo,
tradicionalmente dependente da imagem e cada vez mais dos fenómenos de popularidade nas
redes sociais digitais, abre novas portas à tão aguardada conversação entre os profissionais da
atividade e os seus públicos, por meio da construção crescentemente partilhada da realidade.
Para atestar este contexto de cocriação emergente no jornalismo televisivo, a presente
investigação desenvolveu-se em contexto empresarial, numa imersão de longo prazo (três
anos) na redação de informação da TVI. Os dados empíricos resultantes da observação
etnográfica ‒ principal metodologia aplicada ‒ asseguraram as bases para a caracterização de
um jornalismo mais integrador, das quais se destacam: o aumento notório da utilização de
conteúdos amadores nos alinhamentos noticiosos formais, a abertura da redação tradicional
de televisão ‒ offline ‒ aos contributos que o contexto online permite e a confirmação da
imbricação crescente entre jornalistas e públicos na construção da realidade.
Para que esta construção conjunta seja integradora ela deve, como enfatizaremos ao longo
do trabalho, ter em conta a importância crescente do papel do jornalismo profissional
enquanto autenticador e institucionalizador da informação noticiosa. Só assim se encontrará o
sentido de verdade, porque assente no imperativo da credibilidade. Assim, se a estética e a
natureza amadoras dos conteúdos são cada vez mais aceites no campo jornalístico, elas só
ganham dimensão noticiosa quando ‒ e porque ‒ certificadas e verificadas por um profissional
obrigado formalmente a tais funções.
Estas são as linhas matriciais do presente estudo, cujo significativo pendor empírico teve o
intuito de encontrar respostas às várias e importantes questões que, continuadamente ‒ hoje
mais do que outrora ‒, assaltam os profissionais do jornalismo e os seus públicos, ambos
crescentemente ativos num palco aberto à recolha e à produção informativas ou à
participação por meio da autocomunicação de massa.
The information overload, resulting both from the journalists and the public activities, settled, on the one hand, the proximity between producers and consumers, and, on the other hand, the irreversible porosity of journalism. The context, in which the audience emerges to the forefront of news production, is, therefore, of great uncertainty. The television news, traditionally dependent on the image and evermore on the social media popular phenomena, opens new doors to the long-awaited conversation between the professionals of journalism and its public through the increasingly shared construction of reality. To attest this new context of emerging co-creation in television journalism, this research had been developed in a corporate context, in a long-term immersion (three years) at the TVI newsroom ‒ a Portuguese television channel. Empirical data resulting from ethnographic observation ‒ the mainly applied methodology ‒ set the basis for the characterization of a more integrated journalism: the significant increase in the use of amateur content in formal news alignments, the opening of the traditional newsroom television ‒ offline ‒ to the contributions that the online context allows, and the confirmation of the growing imbrication between journalists and publics in the construction of reality. For this articulated construction to be integrated, it must, as we emphasize throughout the work, take into account the role of professional journalism as authenticator and regent of news production. Only then will it find the meaning of truth, because it is based on the imperative of credibility. So, if the aesthetics and nature of amateur content are more and more accepted in the journalistic field, they only gain news value when – and because – they are certified and verified by a professional formally obliged to such functions. These are, thus, the main lines of this study, whose significant empirical character sought to find answers to the many and important questions that continuously ‒ today more than ever ‒ haunt the professional journalists and their audiences, both increasingly active in an open space of information collection and production and of participation through mass selfcommunication.
The information overload, resulting both from the journalists and the public activities, settled, on the one hand, the proximity between producers and consumers, and, on the other hand, the irreversible porosity of journalism. The context, in which the audience emerges to the forefront of news production, is, therefore, of great uncertainty. The television news, traditionally dependent on the image and evermore on the social media popular phenomena, opens new doors to the long-awaited conversation between the professionals of journalism and its public through the increasingly shared construction of reality. To attest this new context of emerging co-creation in television journalism, this research had been developed in a corporate context, in a long-term immersion (three years) at the TVI newsroom ‒ a Portuguese television channel. Empirical data resulting from ethnographic observation ‒ the mainly applied methodology ‒ set the basis for the characterization of a more integrated journalism: the significant increase in the use of amateur content in formal news alignments, the opening of the traditional newsroom television ‒ offline ‒ to the contributions that the online context allows, and the confirmation of the growing imbrication between journalists and publics in the construction of reality. For this articulated construction to be integrated, it must, as we emphasize throughout the work, take into account the role of professional journalism as authenticator and regent of news production. Only then will it find the meaning of truth, because it is based on the imperative of credibility. So, if the aesthetics and nature of amateur content are more and more accepted in the journalistic field, they only gain news value when – and because – they are certified and verified by a professional formally obliged to such functions. These are, thus, the main lines of this study, whose significant empirical character sought to find answers to the many and important questions that continuously ‒ today more than ever ‒ haunt the professional journalists and their audiences, both increasingly active in an open space of information collection and production and of participation through mass selfcommunication.
Description
Keywords
Jornalismo televisivo - Produção jornalística Jornalismo televisivo - TVI Jornalismo televisivo - Conteúdos amadores Jornalismo televisivo - Participação do cidadão