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Authors
Advisor(s)
Abstract(s)
A identidade de um país, uma região, uma cidade ou uma aldeia pode definir-se pelo papel
que cada indivíduo representa na sociedade e na forma como cada um se comporta no seu
contexto cultural.
No caso das aldeias, principalmente pela sua dimensão, mas também pela sua localização
geográfica, património histórico e cultural, podemos dizer que essa identidade depende
muito dos seus habitantes, das suas características sociais, herdadas socialmente ou
desenvolvidas ao longo dos tempos, da forma como veem o mundo e como se posicionam
em relação ao mesmo. As Aldeias são o reflexo das pessoas, dos seus habitantes, e as pessoas
refletem o espaço onde se inserem. Nesse sentido, podemos pensar num retrato coletivo que
define ou representa a identidade cultural de uma aldeia. Trata-se de um processo contínuo
e em constante atualização, o que significa que é perpétuo, mas está sujeito a mudanças,
seja por influência interna ou externa, seja a nível privado ou público. Este retrato coletivo
é construído a partir da relação entre as características internas e externas. Internas, através
de ações individuais, das memórias e das histórias de cada pessoa; externas, pela influência
de todas as pessoas com quem se relacionam. Estas características culturais definem
diretamente a construção da nossa identidade, uma vez que são parte fundamental para a
vida em sociedade de uma qualquer aldeia.
Este projeto de investigação propõe um retrato coletivo da aldeia histórica de Idanha-a-
Velha, partindo de uma revisão bibliográfica e por sua vez um enquadramento teórico, e da
criação de uma obra artística no âmbito das Media Artes, e sob a forma de instalação de
vídeo interativa. A instalação, enquanto elemento prático de estudo, utiliza imagem, som e
informação fragmentada dos vários habitantes da aldeia que funciona ou reage ao
posicionamento no espaço dos espectadores. Uma representação artística e conceptual, não
da Aldeia em si, do seu valor histórico e patrimonial, mas sim da sua identidade cultural,
dos seus habitantes, das suas vidas, do seu quotidiano, das histórias que os retratam e da
forma como se relacionam. O passado, o presente e o futuro são formas inconstantes
representadas sob forma de fragmentos que compõem a identidade de cada lugar, de cada
espaço, de cada história. Identidade onde os protagonistas são e sempre serão as pessoas
que aí habitam. O objetivo principal deste projeto é analisar e refletir sobre as
potencialidades da instalação de vídeo enquanto caracterização de uma comunidade
especifica, de uma aldeia.
The identity of a country, a region, a city or a village can be defined by the role each individual plays in society and the way each one behaves in their cultural context. In the case of villages, mainly because of their size, but also because of their geographic location, historical and cultural heritage, we can say that this identity depends a lot on their inhabitants, on their social characteristics, socially inherited or developed over time, on the way in which they see the world and how they position themselves in relation to it. Villages are a reflection of people, their inhabitants, and people reflect the space in which they are located. In this sense, we can think of a collective portrait that defines or represents the cultural identity of a village. It is an ongoing process that is constantly being updated, which means that it is perpetual, but it is subject to change, whether by internal or external influence, whether at the private or public level. This collective portrait is built from the relationship between internal and external characteristics. Internal, through individual actions, memories and stories of each person; external, by the influence of all the people with whom they relate. These cultural characteristics directly define the construction of our identity, since they are a fundamental part of life in society in any village. This research project proposes a collective portrait of the historical village of Idanha-a- Velha, based on a bibliographical review, theoretical framework, state of the art, and the creation of an artistic work in the context of Media Arts, and in the form of an installation interactive video. The installation, as a practical element of study, uses image, sound and fragmented information from the various inhabitants of the village that works or reacts to the positioning in the spectators space. An artistic and conceptual representation, not of the Village itself, of its historical and heritage value, but of its cultural identity, its inhabitants, their lives, their daily lives, the stories that portray them and the way they relate to each other. Past, present and future are shifting forms represented in the form of fragments that make up the identity of each place, each space, each story. Identity where the protagonists are and always will be the people who live there. The main objective of this project is to analyze and reflect on the potential of video installation as a characterization of a specific community, a village.
The identity of a country, a region, a city or a village can be defined by the role each individual plays in society and the way each one behaves in their cultural context. In the case of villages, mainly because of their size, but also because of their geographic location, historical and cultural heritage, we can say that this identity depends a lot on their inhabitants, on their social characteristics, socially inherited or developed over time, on the way in which they see the world and how they position themselves in relation to it. Villages are a reflection of people, their inhabitants, and people reflect the space in which they are located. In this sense, we can think of a collective portrait that defines or represents the cultural identity of a village. It is an ongoing process that is constantly being updated, which means that it is perpetual, but it is subject to change, whether by internal or external influence, whether at the private or public level. This collective portrait is built from the relationship between internal and external characteristics. Internal, through individual actions, memories and stories of each person; external, by the influence of all the people with whom they relate. These cultural characteristics directly define the construction of our identity, since they are a fundamental part of life in society in any village. This research project proposes a collective portrait of the historical village of Idanha-a- Velha, based on a bibliographical review, theoretical framework, state of the art, and the creation of an artistic work in the context of Media Arts, and in the form of an installation interactive video. The installation, as a practical element of study, uses image, sound and fragmented information from the various inhabitants of the village that works or reacts to the positioning in the spectators space. An artistic and conceptual representation, not of the Village itself, of its historical and heritage value, but of its cultural identity, its inhabitants, their lives, their daily lives, the stories that portray them and the way they relate to each other. Past, present and future are shifting forms represented in the form of fragments that make up the identity of each place, each space, each story. Identity where the protagonists are and always will be the people who live there. The main objective of this project is to analyze and reflect on the potential of video installation as a characterization of a specific community, a village.
Description
Keywords
Instalação Videoarte Retrato Splitscreen Fragmentos