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Advisor(s)
Abstract(s)
O jornalismo como um todo tem sido desafiado pelo aperfeicoamento da tecnologia e
pela atuação do público na produção de informações altamente relevantes. De um lado,
o melhoramento da volocidade de conexão à internet, o aperfeiçoamento dos
dispositivos móveis e a criação de aplicativos inteligentes, entre outros fatores,
convocam o jornalismo à adaptação, transformando as rotinas laborais e produtivas de
maneira surpreendente. De outro lado, ainda que sem uma formação técnica
consistente, para o bem e para o mal, os cidadãos parecem compromissados com a
tarefa de registrar e propagar informações e imagens de um cotidiano por vezes
inalcançavel ao jornalismo tradicional. No telejornalismo, essa realidade é evidenciada
através do uso contínuo de flagrantes captados por cidadãos não-jornalistas.
Neste contexto, o tema violência urbana ocupa lugar central, pois, em países como o
Brasil, o trabalho jornalístico tornou-se complexo e difícil de ser realizado ao longo das
últimas duas décadas devido a ameaças e assassinatos durante coberturas. A
preocupação com a segurança dos repórteres e cinegrafistas afastou os profissionais de
regiões conflagradas, abrindo espaço para o surgimento de iniciativas e sistemas
comunicacionais descentralizados, organizados e geridos por cidadãos. O aplicativo
Onde Tem Tiroteio (OTT) pode ser interpretado como um exemplo deste fenômeno
sendo, por isso, objetivo empírico ilustrativo desta tese.
Com milhões de usuários que regulam o app e promovem uma espécie de verificação
coletiva de ocorrências ligadas à criminalidade, e com um intenso fluxo de flagrantes de
violência urbana, o OTT conquistou o lugar de ferramenta mediadora credível entre os
jornalistas e as zonas de conflito armado. Mas seu status jornalístico está ligado à
capacidade de apuração e ao fornecimento de conteúdo imagético confiável, o que torna
o app mais do que uma mera fonte para os noticiários. O principal objetivo deste
trabalho é discutir os conflitos de autoridade decorrentes de tal conjuntura.
Journalism as a whole has been challenged by the improvement of technology and the role of the public in producing highly relevant information. On the one hand, the improvement in internet connection speed, the improvement of mobile devices and the creation of intelligent applications, among other factors, call journalism to adaptation, transforming work and production routines in a surprising way. On the other hand, even without consistent technical training, for better or for worse, citizens seem committed to the task of recording and disseminating information and images of everyday life that are sometimes unattainable by traditional journalism. In telejournalism, this reality is evidenced through the continuous use of flagrant captured by non-journalist citizens. In this context, the theme of urban violence occupies a central place, since, in countries like Brazil, journalistic work has become complex and difficult to carry out over the last two decades due to threats and murders during coverage. The concern with the safety of reporters and cameramen kept professionals away from troubled regions, opening space for the emergence of initiatives and decentralized communication systems, organized and managed by citizens. The Onde Tem Tiroteio (OTT) application can be interpreted as an example of this phenomenon and, therefore, is the empirical objective of this thesis. With millions of users who regulate the app and promote a kind of collective verification of occurrences related to crime, and with an intense flow of flagrant urban violence, OTT has conquered the place of a credible mediating tool between journalists and armed conflict zones. But its journalistic status is linked to its ability to verify and provide reliable imagery content, which makes the app more than a mere source for news. The main objective of this work is to discuss the conflicts of authority resulting from such situation.
Journalism as a whole has been challenged by the improvement of technology and the role of the public in producing highly relevant information. On the one hand, the improvement in internet connection speed, the improvement of mobile devices and the creation of intelligent applications, among other factors, call journalism to adaptation, transforming work and production routines in a surprising way. On the other hand, even without consistent technical training, for better or for worse, citizens seem committed to the task of recording and disseminating information and images of everyday life that are sometimes unattainable by traditional journalism. In telejournalism, this reality is evidenced through the continuous use of flagrant captured by non-journalist citizens. In this context, the theme of urban violence occupies a central place, since, in countries like Brazil, journalistic work has become complex and difficult to carry out over the last two decades due to threats and murders during coverage. The concern with the safety of reporters and cameramen kept professionals away from troubled regions, opening space for the emergence of initiatives and decentralized communication systems, organized and managed by citizens. The Onde Tem Tiroteio (OTT) application can be interpreted as an example of this phenomenon and, therefore, is the empirical objective of this thesis. With millions of users who regulate the app and promote a kind of collective verification of occurrences related to crime, and with an intense flow of flagrant urban violence, OTT has conquered the place of a credible mediating tool between journalists and armed conflict zones. But its journalistic status is linked to its ability to verify and provide reliable imagery content, which makes the app more than a mere source for news. The main objective of this work is to discuss the conflicts of authority resulting from such situation.
Description
Keywords
Apps colaborativos Violência Flagrantes Telejornalismo