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Advisor(s)
Abstract(s)
A colecção Patrimonius, pertença da Câmara Municipal da Covilhã e patente no Museu de Arte e Cultura da
cidade, alberga o que dizem ser a herança histórico-cultural covilhanense; contudo, uma referência inscrita num
dos quadros veio a revelar um grande espólio fora do contexto conventual feminino da região. Recorrendo aos
fundos documentais relativos às ordens e do Município e tendo como objecto de estudo cinco pinturas
da colecção, tentar-se-á destrinçar qual o trajecto que os objectos pictóricos tomaram desde a desamortização
até ao actual contexto museológico.
The Patrimonius collection, property of the Municipality of Covilhã and exhibited at the local Museum of Arts and Culture, is known as the Covilhã historical-cultural heritage; however, a reference in one of the paintings has revealed a considerable spoil out of the regional female conventual context. Based on documental funds related to religious orders and of the Municipality and centering the object of study on five paintings, we will try to find out which course the pictorial objects had taken since their confiscation until the current museological context.
The Patrimonius collection, property of the Municipality of Covilhã and exhibited at the local Museum of Arts and Culture, is known as the Covilhã historical-cultural heritage; however, a reference in one of the paintings has revealed a considerable spoil out of the regional female conventual context. Based on documental funds related to religious orders and of the Municipality and centering the object of study on five paintings, we will try to find out which course the pictorial objects had taken since their confiscation until the current museological context.
Description
Keywords
Extinção Pintura Desamortização Ordens Monásticas Conventos Femininos República
Citation
Publisher
Artis - Instituto de História da Arte da Faculdade de Letras da Universidade de Lisboa