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Abstract(s)
A revisitação da memória e a constituição de uma identidade são traços comuns a dois documentários recentemente realizados por exalunas da Universidade da Beira Interior. Da meia-noite pró dia foi concluído por Vanessa Duarte, em 2013, no final da licenciatura, e Trama constitui um projeto de final de mestrado da autoria de Luísa Soares. Após o processo de avaliação final, pelo corpo docente da instituição, os filmes têm sido distinguidos nacionalmente e elogiados pela sua importância tanto artística como sociológica. Em ambos, podem escutarse os depoimentos dos antigos operários e operárias do sector têxtil da Beira Interior, sem um recurso contínuo à imagem. Na primeira pessoa, revelam-se as principais dificuldades enfrentadas em tempos de crise política, económica e social, que deixaram marcas na postura, no discurso e nas percepções. Na presente reflexão, propomos analisar as diferentes visões das jovens cineastas, ao mesmo tempo em que reconheceremos traços urbanísticos e contextualizaremos séculos de História de uma indústria.
The revalidation of memory and the constitution of an identity are common features of two documentaries recently directed by former students of University of Beira Interior. Da meia noite p’ró dia was completed by Vanessa Duarte in 2013, at the end of her graduation, and Trama is the final master project, directed by Luísa Soares. After the final evaluation by the institution's teachers, films have been nationally honored and praised both for its artistical and sociological value. In both, it can be listen to the testimony of former workers of the textile sector of Beira Interior, without the continued use of image. With the use of direct testimonies, the main difficulties faced in times of political, economic and social crisis, which left marks in posture, speech and perceptions, are revealed. In this reflection, we propose to analyze the different views of both young directors, at the same time we try to recognize urban traits and contextualize centuries of an industry’s history.
The revalidation of memory and the constitution of an identity are common features of two documentaries recently directed by former students of University of Beira Interior. Da meia noite p’ró dia was completed by Vanessa Duarte in 2013, at the end of her graduation, and Trama is the final master project, directed by Luísa Soares. After the final evaluation by the institution's teachers, films have been nationally honored and praised both for its artistical and sociological value. In both, it can be listen to the testimony of former workers of the textile sector of Beira Interior, without the continued use of image. With the use of direct testimonies, the main difficulties faced in times of political, economic and social crisis, which left marks in posture, speech and perceptions, are revealed. In this reflection, we propose to analyze the different views of both young directors, at the same time we try to recognize urban traits and contextualize centuries of an industry’s history.
Description
Keywords
Têxtil Memória Beira Interior Documentário
Citation
Pereira, Ana Catarina (2015) A História de uma região nos filmes da Universidade da Beira Interior: silêncios, homenagens e inquietudes. Em: Revista Científica / FAP. UNESPAR (Universidade Estadual do Paraná - Brasil), volume 12, janeiro /junho, 2015. ISSN: 1679-4915.
Publisher
Revista Científica / FAP. UNESPAR (Universidade Estadual do Paraná - Brasil)