| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| Documento principal | 3.56 MB | Adobe PDF | ||
| Anexos | 12.26 MB | Adobe PDF |
Authors
Abstract(s)
Esta dissertação tem como objecto de estudo os pavilhões de Verão da Serpentine Gallery,
em Londres. Estes projectos tiveram início no ano 2000 e, desde então, todos os anos é
convidado um arquitecto ou equipa de arquitectos para projectarem um pavilhão, decorrendo
no máximo seis meses desde o convite até à conclusão do pavilhão, e mais três de
permanência deste, no relvado frente à galeria.
Os arquitectos que já apresentaram um pavilhão foram Zaha Hadid, Daniel Libeskind, Toyo
Ito, Oscar Niemeyer, MVRDV, Álvaro Siza Vieira com Eduardo Souto de Moura, Rem Koolhaas
com Cecil Balmond, Olafur Eliasson com Kjetil Thorsen, Frank O. Gehry, SANAA, Jean Nouvel,
Peter Zumthor, Jacques Herzog e Pierre de Meuron com Ai Weiwei e, por último, Sou
Fujimoto.
Os projectos, apesar de sujeitos aos mesmos requisitos, são totalmente distintos uns dos
outros. Diferenciam-se nas abordagens em termos de conceito, percursos, relação com a
envolvente, relação com o edifício da galeria, solução estrutural, materiais ou mesmo função.
Nesta dissertação ir-se-ão analisar todos estes aspectos em cada um dos pavilhões,
estabelecendo paralelismos e distinções, e enquadrando-os na obra de cada autor.
Por fim, será apresentado um ante-projecto de uma proposta de pavilhão de Verão para o
relvado da Serpentine Gallery, considerando os mesmos requisitos que são impostos aos
arquitectos convidados para a concepção da estrutura temporária.
This dissertation’s goal is the study of the Serpentine Gallery pavilions, presented every summer in London. These projects began in 2000, and since then every year an architect or team of architects is invited to design a pavilion, within six months maximum from the invitation to its conclusion, and three additional months of display in the lawn in front of the gallery. The arquitects which presented a pavilion so far were Zaha Hadid, Daniel Libeskind, Toyo Ito, Oscar Niemeyer, MVRDV, Álvaro Siza Vieira with Eduardo Souto de Moura, Rem Koolhaas with Cecil Balmond, Olafur Eliasson with Kjetil Thorsen, Frank O. Gehry, SANAA, Jean Nouvel, Peter Zumthor, Jacques Herzog and Pierre de Meuron with Ai Weiwei and, at last, Sou Fujimoto. Although the requirements imposed are the same, the pavilions are completely distinct from each other. They present different approaches regarding concept, paths, relationships with the surroundings and the gallery’s building, structural solutions, materials or even function. In this dissertation, all these matters will be studied in each pavilion, establishing parallelisms and distinctions, contextualizing them yet in their authors’ work. Finally, there will be presented a design proposal of a summer pavilion for the Serpentine Gallery’s lawn, in which will be considered the same requirements imposed to all the architects invited to design the temporary structures.
This dissertation’s goal is the study of the Serpentine Gallery pavilions, presented every summer in London. These projects began in 2000, and since then every year an architect or team of architects is invited to design a pavilion, within six months maximum from the invitation to its conclusion, and three additional months of display in the lawn in front of the gallery. The arquitects which presented a pavilion so far were Zaha Hadid, Daniel Libeskind, Toyo Ito, Oscar Niemeyer, MVRDV, Álvaro Siza Vieira with Eduardo Souto de Moura, Rem Koolhaas with Cecil Balmond, Olafur Eliasson with Kjetil Thorsen, Frank O. Gehry, SANAA, Jean Nouvel, Peter Zumthor, Jacques Herzog and Pierre de Meuron with Ai Weiwei and, at last, Sou Fujimoto. Although the requirements imposed are the same, the pavilions are completely distinct from each other. They present different approaches regarding concept, paths, relationships with the surroundings and the gallery’s building, structural solutions, materials or even function. In this dissertation, all these matters will be studied in each pavilion, establishing parallelisms and distinctions, contextualizing them yet in their authors’ work. Finally, there will be presented a design proposal of a summer pavilion for the Serpentine Gallery’s lawn, in which will be considered the same requirements imposed to all the architects invited to design the temporary structures.
Description
Keywords
Serpentine Gallery - Londres Serpentine Gallery - Pavilhões de verão Serpentine Gallery - Arquitectura contemporânea Pavilhões de verão - Experiência de artes Pavilhões de verão - Espaço arquitectónico - Exposição