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- Architect Luz Valente-Pereira: Architecture, Research, and Life in a Changing CountryPublication . Pedrosa, Patrícia Santos; Antunes, Lia GilLuz Valente-Pereira (b. 1934, Lisbon) is a key figure of the 20th century Portuguese History of Architecture, albeit a forgotten one. This research is a starting point for establishing a more solid biography of this pioneer who initiated the first decades of female participation in the architectural field in Portugal. After some professional experience in different contexts, she developed a stable research career at the National Laboratory of Civil Engineering (LNEC) with studies on various spatial scales. We have used different methodologies: bibliographical review, consultation of national archives, and an interview with her. Our proposal is not only to create female references but also to broaden the historical readings on women’s participation in Portugal throughout the 20th century.
- Arquitectas: Modo(s) de (R)existir - Reflexões a partir de um ciclo de conversasPublication . Pedrosa, Patrícia Santos; Pestana Lages, Joana; Antunes, Lia GilA associação Mulheres na Arquitectura nasceu a 16 de Junho de 2017 em Portugal, com o objectivo de trazer a perspectiva de género para a reflexão, investigação, comunicação, formação e a divulgação das várias práticas implicadas no fazer arquitectura, cidade e território. Entre Setembro de 2017 e Março de 2018, numa colaboração com a Secção Regional Sul da Ordem dos Arquitectos, a associação organizou o seu primeiro ciclo de conversas, intitulado Arquitectas: Modo(s) de (R)existir, acolhido pelo Teatro São Luiz, em Lisboa. Como afirmado no texto introdutório, na actualidade, apesar de as mulheres arquitectas representarem cerca de 44% dos/as inscritos/as na Ordem dos Arquitectos portuguesa, estas não se apresentam com visibilidade equivalente, tanto para o público em geral como entre pares. A sequência de seis conversas questionou quem são e como vivem as mulheres arquitectas, partindo das diversas possibilidades e dificuldades da profissão.
- Das Mulheres e da Arquitetura: Fragmentos, diálogos e reflexõesPublication . Pedrosa, Patrícia SantosEste livro, com autoria de Patrícia Santos Pedrosa e prefácio de Zaida Muxí Martínez, resulta do projeto de investigação “Mulheres Arquitetas em Portugal: Construção da Visibilidade” (W@ARCH.PT). A partir de fragmentos, diálogos e reflexões, a obra reúne quatro narrativas através de um olhar crítico e reflexivo sobre as mulheres e as suas histórias, contribuindo desta forma para uma narrativa maior — a da história das mulheres arquitetas em Portugal.
- Entrevista ao projeto Mulheres em ConstruçãoPublication . Pedrosa, Patrícia Santos; Fávero, NatáliaNeste número especial da revista CIDADES, Comunidades e Territórios, dedicado ao tema “Feminismos e a Espacialização das Resistências”, considerou-se pertinente entrevistar a equipa do projeto Mulheres em Construção (MemC) enquanto exemplo de prática feminista e emancipadora feito a partir do direito aos espaços qualificados . Mulheres em Construção é promovido pela associação Mulheres na Arquitectura (MA) e desenvolve-se no âmbito do programa português Bairros Saudáveis (BS). O projeto consiste na capacitação de mulheres em vulnerabilidade socio-laboral, residentes no Bairro de Santiago, em Aveiro, e na formação em construção civil. O projeto teve a duração de doze meses. A equipa do Mulheres em Construção é composta por cinco arquitetas e arquitetas urbanistas: as coordenadoras Gabriela Cavalcanti (1994, Brasília, Brasil) e Patrícia Robalo (1982, Lisboa, Portugal), e as voluntárias Elena Parnasi (1992, Milão, Itália), Isabella Rusconi (1972, Santos, Brasil) e Lia Gil Antunes (1988, Covilhã, Portugal).
- Feminisms and the spacialization of resistances: keeping the fight alivePublication . Pedrosa, Patrícia Santos; Santos, Eliana Sousa; Alvarez Lombardero, Nuria; Arias Laurino, DanielaSince the beginning of the first decade of the 21st century, an interest about studies in feminism and architecture was recaptured by some scholars in the Anglo-Saxon context influencing new generations to come. This reviving of women’s studies in architecture had a more difficult path in other latitudes that lacked academic references in different languages, but it would soon blow up starting from the Mediterranean region. In 2014, the first international congress was organized in Seville, Spain, by scholar Nuria Alvarez Lombardero, around architectural practice. This initiative called Arquitectas: redefining the practice started with a small support from the University of Seville, Spain. Still, it courageously caught the attention of different researchers worldwide with similar concerns. The call for papers was answered by more than fifty proposals of all kinds that voiced a need to expose a resistance to obscurantism concerning the subject. Fourteen articles were selected and structured following the major themes: places of exclusion, rewriting the history of architecture, worldwide practices, and new forms of practice. Supporting these reflections, five women architects were invited as guest speakers to share their positions and experiences around the subject of practice, allowing a deeper conversation transcripted in the book Arquitectas: redefiniendo la práctica presented at the XIII Spanish Bienal of Architecture and Urbanism (Alvarez Lombardero, N. 2015). Gratifyingly, the congress became the inception of an extensive network of researchers and scholars that still operates today with more than 1,000 people connected worldwide.
- From Arquitectas to Matrices - and then to morePublication . Pedrosa, Patrícia SantosThe article here presented is a personal narrative and has the exclusive goal of recording memories for the future. Therefore, it describes the events presented below from a situated perspective: the author’s one. This privileged position, first as a participant, and now, as a nar- rator, could be problematized. Too often, this is an essential step in feminist research that we tend to —naively and reductively— forget. But already in 1929, Virginia Woolf wrote in A Room of One’s Own (2001, p. 2): “a woman must have money and a room of her own if she is to write fiction.” That is, she must have space and time to independently think and write. Taking this premise into account, this narrative starts.
- Matrices - Book of Abstracts: II International Congress Architecture and GenderPublication . Pedrosa, Patrícia Santos; Santos, Eliana Sousa; Matos, Maria João Pereira de ; Alvarez Lombardero, NuriaThe Second International Congress on Architecture and Gender will address the theme of Matrices. This concept has several definitions and they are all inclusive by nature. Matrices are environments where things develop, the models or patterns that shape formations, and they can also reinvent an environment. These images are suited to address the current patterns of change regarding architecture and gender.
- Plural Existences: Feminists’ Epistemologies and the History of ArchitecturePublication . Pedrosa, Patrícia Santos; Antunes, Lia GilWhen we study 20th-century History of Portuguese Architecture we notice the absence of women architects, a reality replicated in the global history of the discipline. This work dialogues with some genealogical lines that can be useful in sketching a different way of making History, namely the History of Women Architects. We propose a situated methodology that expands sources, voices and narratives, drawing on contributions from feminist historiography in general, including their materialization in Art and Geography. The goal of this proposal is to contextually frame a feminist methodology for the History of Architecture in Portugal that considers plural existences and welcomes multiple ways of embodying and making architecture.
- Teoria critica de apoio pedagógico à unidade curricular de Desenho IPublication . Sequeira, João Manuel Barbosa Meneses deO presente manual insere-se no âmbito da unidade curricular de Desenho I, leccionada no 1.º ano do Mestrado Integrado em Arquitectura da Universidade da Beira Interior. Resulta de uma prática pedagógica continuada que, ao longo dos últimos anos, tem procurado articular a formação técnica do desenho com uma reflexão crítica e sensível sobre o papel da representação na génese do projecto arquitectónico. Embora concebido como instrumento de apoio ao ensino, o seu horizonte ultrapassa o contexto estrito da unidade curricular, visando propor um contributo mais amplo para a pedagogia do desenho em arquitectura.
- Teresa Almendra’s House of Oz and the expansion of the modernPublication . Pedrosa, Patrícia Santos; Antunes, LiaIn the 1980s, in Ubatuba, on the shore of the state of São Paulo (Brazil), the architect Teresa Assoreira Almendra (1943, Angola) built what is believed to be her most accomplished work: the House of Oz. With a personal and professional path developed mainly in Angola and Portugal, the architect and interior decorator achieved, in this work, an intense dialogue between space, materiality and nature. Designed and built after Almendra left Angola, it allowed the architect to re-encounter a tropical context that was natural to her. Therefore, both as an architectural proposal and in a biographical sense, this work can be read as a personal synthesis of her African and European experiences, reinvented in Brazil. The goal of this proposal is to assess the particular condition of producing houses in their context. Methodologically, the work gathers relevant historical and architectural material-including drawings, texts, interviews-setting them in opposition and dialogue, in a critical perspective. Built in 1984, the House of Oz, which overlooks the beach, was commissioned by a Portuguese couple, who gave the architect complete freedom. Called Oz because of the importance given to its paths, these constitute an anchor between everyday life and the surrounding natural territory. For Teresa Almendra, the poetics of the place was underlined by the tracing of these crossings, where paths, passageways, galleries and bridges underpin domestic holiday life, forging a generous relationship with the enveloping forest and beach. In the House of Oz, architecture and decoration form a single entity, shaping family activities. Alongside the understanding and contextualization of the house, there is the perplexity of seeing a house with such architectural value be neglected within the historiography of Portuguese architecture: by mapping presences, we identify the glaring void of absences.