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Advisor(s)
Abstract(s)
Este relatório descreve o processo de criação do curta-metragem O meu vento é o norte,
da sua concepção à pós-produção, desenvolvido no âmbito da unidade curricular de
Projeto Final do Mestrado em Cinema da Universidade da Beira Interior. Construído a
partir do diário de criação da argumentista e realizadora, o trabalho oferece um relato a
cerca da criação do filme e uma reflexão sobre o modo experimental e livre de produção
assumido. Com uma equipe reduzida formada apenas pela realizadora e o diretor de
fotografia, o método de produção do filme consiste em uma livre improvisação adotada no
momento das rodagens, sem fazer uso de guião, decupagem ou cronogramas. As imagens
captadas passam por um processo de seleção e são guardadas até o momento da
montagem, quando todo o material é visionado e se descobre a forma do filme e a sua
narrativa.
O processo de realização do filme é descrito e dividido em três etapas: notas introdutórias,
diário de criação e notas conclusivas. Após as notas introdutórias que detalham as
especificidades do projeto, o seu modo de produção e as influências estéticas fulcrais,
parte-se para o diário de criação propriamente dito, que abrange os dezessete meses de
desenvolvimento do curta-metragem. Nesta parte, descreve-se cada uma das diárias de
rodagem, fazem-se observações de pré-produção, comentam-se referências estéticas,
refletem-se leituras teóricas, analisa-se o método de montagem e a pós-produção de
imagem e som, para além de reflexões gerais sobre o conjunto do processo. Discutem-se
igualmente temas como métodos de escrita, cinema sensorial, corpo e performance,
escolhas de realização, experimentações estéticas e filmagens na natureza. As notas
conclusivas procuram abordar de forma crítica o processo de criação de O meu vento é o
norte, refletindo as experiências vividas ao longo do projeto, além de apontar possíveis
caminhos para a estética desenvolvida.
The following report describes the creation process of the short film O meu vento é o norte, from its conception until the post-production, developed within the scope of the Final Project for Master's degree in Cinema Studies at Universidade da Beira Interior. Built from the creation journal of the screenwriter and director, this work brings a report on the creation of the motion picture, as well as a reflection upon its free and experimental production method. With a small crew, formed only by the screenwriter and the director of photography, the production method applied consists of free improvisation adopted during the filming, lack of script, decoupage or timetables. The images captured undergo a process of selection and are kept until the moment of the editing, when the entire material is envisioned and the film form is discovered, as well as its narrative. The development of the film is described and divided in three steps: introductory notes, creation journal and conclusive notes. After the introductory notes, which detail the specificity of the project, the production mode and its central aesthetic influences, the following step is the creation journal itself, which covers the seventeen months in which the short-film was developed. The notes describe each of the filming days, present pre-production observations, comment the aesthetic references, reflect upon theoretical readings, analyse the editing method and everything that is related to post-production of image and sound, in addition to the general reflections upon the process as a whole. Moreover, themes such as writing methods, sensorial cinema, body and performance, filmmaking choices, aesthetic experimentations and shootings in natural environments are also discussed. The conclusive notes seek to approach with a critical analysis the creation process of O meu vento é o norte, reflecting upon the experiences lived through the project, as well as targeting possible paths to the created aesthetics.
The following report describes the creation process of the short film O meu vento é o norte, from its conception until the post-production, developed within the scope of the Final Project for Master's degree in Cinema Studies at Universidade da Beira Interior. Built from the creation journal of the screenwriter and director, this work brings a report on the creation of the motion picture, as well as a reflection upon its free and experimental production method. With a small crew, formed only by the screenwriter and the director of photography, the production method applied consists of free improvisation adopted during the filming, lack of script, decoupage or timetables. The images captured undergo a process of selection and are kept until the moment of the editing, when the entire material is envisioned and the film form is discovered, as well as its narrative. The development of the film is described and divided in three steps: introductory notes, creation journal and conclusive notes. After the introductory notes, which detail the specificity of the project, the production mode and its central aesthetic influences, the following step is the creation journal itself, which covers the seventeen months in which the short-film was developed. The notes describe each of the filming days, present pre-production observations, comment the aesthetic references, reflect upon theoretical readings, analyse the editing method and everything that is related to post-production of image and sound, in addition to the general reflections upon the process as a whole. Moreover, themes such as writing methods, sensorial cinema, body and performance, filmmaking choices, aesthetic experimentations and shootings in natural environments are also discussed. The conclusive notes seek to approach with a critical analysis the creation process of O meu vento é o norte, reflecting upon the experiences lived through the project, as well as targeting possible paths to the created aesthetics.
Description
Keywords
Experimental Cinema Filmmaking Hybrid Cinema Performance Sensorial Cinema